There are two particular aspects of the RHS Botanical Art Show that sometimes people forget about until a little late in the day. These are:
This post comprises my TIPS (from exhibitors) about the "sticky" aspect of exhibiting. Or how to avoid your exhibit and/or card holders ending up on the floor of the Lindley Hall! (Please also read the comments from those who have exhibited previously) At the end of the show I also took photos of examples of how people had chosen to stick their exhibit to the panel. What sort of sticky display tape? |
Susan Tomlinson wrote yesterday in the Botanical Artists Group on Facebook about her experience of getting eyeglasses which were best suited to her way of working on botanical art. Susan lives in Lubbock Texas and her banner pics on Facebook illustrate very clearly that she has got an excellent and well lit studio set-up for botanical painting. She has both good natural light and an array of good quality artificial lighting and magnification aids. So improving what she can see was entirely down to the glasses she uses. This is her story..........(Note: I've emboldened key points within the story) |
I really struggle for light in my little cottage, especially during the winter months.
One sheet of 5mm foam mount board and a sharp knife: I now have a nice little stand for my subjects that I can light with a craft lamp
Learning to identify plants and their characteristics goes hand in hand with producing accurate botanical illustrations and portraits - you cannot do the latter without the other.
Please follow the guidelines for your own country in regard to collecting. Plantlife have some excellent advice - Is it illegal to pick common wild plants in the countryside ?
Katherine Tyrrell writes about botanical art and artists and has followers all over the world. You can also find her at linktr.ee
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