Graphite for Scientific Illustration by Rogério Lupo is a new FREE guide intended for anyone interested in knowing or practically learning the fundamentals of graphite and who want to improve their knowledge and skills in the use of graphite for scientific illustration generally and botanical illustration in particular.
Basic understandings of observational drawing help the student, but are not indispensable to take the best out of the booklet.
Rogerio Lupo is a Brazilian Natural Science Illustrator who has won first prize in several competitions including the Margaret Flockton Award in 2010 and 2013. He graduated in biology from the Universidade de São Paulo. Much of his work is dedicated to the illustration of scientific botanical articles/papers. He has also researched different approaches to illustration and artistic techniques.
Bobbi Angell - also a leading Botanical Illustrator - kindly provided a technical and linguistic review of the English version translated from Rogerio's first version in Portuguese
The guide covers the following:
How to download the Guide
You can see the first page of the guide below. Click this link to be taken to a page on slideshare where you can download the complete document.
Note that I have also included this view of the document on:
There is also an associated video (see below) - however this is in Portuguese - however the demonstrations will still make sense to those who have studied the guide. Plus you get to see Rogerio in action!
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Two FREE botanical art demonstrations are scheduled next week at the GreatArt store in the heart of Shoreditch - at 41-49 Kingsland Road, London, E2 8AG on the 3rd and 4th October 2017. (Store hours 10:00 to 19:00)
Amber Halsall and Angeline De Meester will be at the store, one on each day, for a day's residency to demonstrate contemporary botanical art techniques and brief you about their tips for effective paintings.
These residencies have been organised in partnership with The Society of Botanical Artists, ahead of their annual open exhibition 'Changing Seasons' which opens on the 13th of October at Central Hall, Westminster.
I know both artists and they're both extremely competent and experienced teachers. I'm absolutely positive you'll find both very helpful in answering any of your queries about botanical art.
How do you become a botanical illustrator? What does the job involve?
How do you get a job in botanical illustration at one of the major botanical gardens that employ botanical illustrators?
Below is a 5 minute video created to illustrate a career in botanical illustration. It features botanical illustrator Catherine Wardrop, who is one of two botanical illustrators employed by the Royal Botanic Garden in Sydney. She works at the herbarium and prepares black and white illustrations in pen and ink for botanists and publication in of Flora of New South Wales revisions, Flora of Australia, Telopea and other scientific journals. She also curates key Margaret Flockton works.
Note: the video is old but the principles of the approach to creating a botanical illustration for a scientific publication remain the same.
It shows techniques used by botanical illustrators - including
You must love both nature and detail and have a number of drawing skills to be a professional botanical illustrator. Skills required include:
The video finishes by explaining her educational background and how she got a job in botanical illustration. Catherine has a a first degree in printmaking and a Diploma in Plant and Wildlife Illustration from Newcastle University in New South Wales.
[Note: Newcastle University has a Degree in Natural History Illustration. This page outlines requirements and the core and optional courses for the degree.]
More about jobs in botanical illustration
I'm very pleased to announce that it is now possible to search my website for information about:
Use the NEW customised Google Search engine which you can find at the bottom of the Home Page to search my website. (I may also include it on other pages where I think people will use search a lot). It generates search results ONLY from content on my website.
So, for example, you can look for a specific artist listed on the website in the artists past and present e.g. ' Margaret Mee '. This will - as you can see in the example below - generate results from the art history section, the artists by country section, the education section and the blog!
Or you can look for tips and techniques related to botanical art e.g. how to paint leaves (see below)
How to Search
Normal practices relating to a search enquiry apply.
However the second search (see below) was more specific and asked for results for 'how to "paint leaves" ' This only generated results which included the specific term "paint leaves" and left out those where the term used on the page might have been "painting leaves".
As I'm using the Google Search engine, some of the searches will come up with Google ads (shown in a pink box). However I think that's a small price to pay for being able to access a very powerful search engine! Plus I might get the odd penny once in a while as a result and this will help offset the cost of maintaining this website. I hope you don't mind.
My general practice when using search to find information (and this entire website is built on 'search'!) is to start wide and then become more precise once I see what the first search throws up.
You can also reorder your search results by relevance or date - just use the options box top right of the results screen.
I hope you find this NEW search facility useful and consider it a valuable addition to my website. I know I do!
If you want to add a customised Google search engine to your website this is the page which tells you how to add search to your site
Today I've created two new pages on my website for in-depth book reviews of two books relevant to those who want to learn more about botany and the botanical illustrator - and highly recommended by me.
Both reviews were written some years ago shortly after the books were published - but the books haven't changed so nor has the value of the book reviews!
However it occurred to me that it would be much more helpful to those wanting to learn about how to draw plants - or develop their skills - if the book reviews were with the rest of the information I've compiled. So today I've moved them from my review blog to this website.
I'll also be moving more in-depth reviews between now and the end of the year.
The two books are as follows (click the links below the image to go to the dedicated page for each book and read the reviews)
Interestingly both books highlight the value of learning through studying the botanical illustrators of the past.
If you'd like to check out some of the best botanical illustrators and artists in history check out my section on Botanical Art History and in particular Past Masters of Botanical Art & Illustration (1500-1900)
Note: The links above go direct to the page which hosts the book review. The book reviews include associate links to Amazon. This site uses the pennies raised via book sales via those links to finance this website - which is not cheap to run.
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I've come across an interview with Susannah Blaxill, the renowned Australian botanical artist who painted that beetroot! (which I wrote about earlier this year - see Susannah Blaxill's beetroot and a magnifying glass)
I found the interview today as a link on her website. I found it an absolutely fascinating and learned a lot - I hope you do too. You can also find Susannah writing about her art on her website
The interview between Susannah Blaxill and Zoneone Arts covers the following topics
There is nothing worse than discovering that something is not right when 50%, or even worse 90% of the painting is completed. It is actually a waste of time to rush this early stage.
I have found over the years that it is more important to give students information and skills that they can build on rather than attempting to encourage them to produce finished paintings.
I think that drawing and painting onion skin gives me more pleasure than almost anything else.
To depict in art the richness of an older face with all the signs of age is so much more interesting than the perfection of the skin of a super model. It is the same with plants – the dying leaves of the pear tree gives the artist so much more scope to explore the ravages of time.
NOTE: Zoneone Arts aims to is to provide online interviews that showcase the full range of contemporary arts and crafts happening in Australia and across the world.
You can find out more about other contemporary Australian botanical artists on my website.
Botanical artist and tutor Julia Trickey GM SBA has produced a 5 minute video which has lots of tips and techniques.
It's based on a recent commission to produce small artworks for a display board showing which plants can be found in a rockery.
More Video Tips about Botanical Art
You can find more videos relevant to botanical artists (including ones by Julia) on my website page about Video Tips for botanical art. This has additional pages about:
You can see more videos by Julia on her YouTube Channel - Julia Trickey: short adventures in botanicalart
News & Resources
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Katherine Tyrrell writes about botanical art and artists and has followers all over the world.
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since April 2015
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© Katherine Tyrrell 2015-18
Unauthorised use or duplication of ANY material on this blog without written permission is strictly prohibited. Please also respect the copyright of all artists featured here.
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The Best Botanical Art Instruction Books
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