NEWS about Botanical Art and for Botanical Artists

The 20 Most Popular Pages about Botanical Art

31/12/2019

Today I'm sharing the 20 most popular pages on Botanical Art and Artists (excluding specific artists) over 2018-19.

See if you can predict what will be popular.
Do tell me if you're surprised by any of the rankings. I know I was! It's made me rethink some future plans - and also identified pages I need to work on some more.

One of the ways I try to improve Botanical Art and Artists is by paying attention to what interests visitors to the site. That's why I regularly look at the website statistics. Periodically I pull a pdf file of Google Analytics and take a look at which pages which get the most traffic and which pages which get the lowest and the highest bounce rates.

I've decided to limit the timeframe for the count to 2018 and 2019 as I've introduced quite a few new pages since it started, over 4.5 years ago, in April 2015. However sorting out the ranked order based on my Google Analytics data was not at all easy and I ended up using an Excel spreadsheet and sorting on two data sets!

BELOW:

Check to see if there are any popular pages you've missed on a website which now has well over 1,000 web pages and blog posts.
Visit the pages - links are embedded in the titles of the top 20 web pages ranked below in order of popularity

1. Past Masters of Botanical Art & Illustration (1500-1900)
This one is way out in front and has been ever since I created the site. It gets more hits than the home page! This particular page is really interesting as it highlights and summarises some of the famous botanical artists and illustrators and Past Masters - between 1500 and 1900 - from the UK, France, Netherlands / Flemish, Germany & Austria, Italy, Australasia, Africa - specifically South Africa, North and Central America and South America. Plus and other notable artists working within botanical art and illustration. (Note Famous Asian Botanical Artists (600 - 1500) from China, India and Japan are on a separate page - and I probably need to create a seperate page for Europe too)

2. NEWS about Botanical Art and for Botanical Artists
My News Blog started after the main site was created but has become very popular ever since. The number of subscribers also continues to climb

3. Tips and Techniques
Extremely popular right from the beginning. A good tip for any botanical artist wanting to create traffic to their website is to provides tips and techniques - for free - on your website or blog or social media site. People love them. Next best tip is alert me to your tip and if it's good enough then I'll add it into this resource page and you'll get even more traffic!

4. Best Botanical Art Instruction Books
A very popular page because I only list the books I rate and I also provide lots of reviews - and some of them are in-depth. This is a VERY long page with LOTS links to sub-pages which review books by specific people

5. What is Botanical Art?
The perennial question - hence the ranking. I try to provide an answer by quoting others on this topic. I add to it when I find a great new comment or insight.

6. Scientific Botanical Illustration
How to draw plants to scientific standards. This page includes basic instruction on what to do and what not to do when illustrating plants to scientific standards; drawing aids which promote accuracy in measurement and rendering in scientific illustration links to practical tips and techniques for botanical illustration from leading scientific botanical illustrators and organisations providing support for scientific illustration. Plus articles about the history of scientific botanical illustration and the development of contemporary Flora.

7. Botanical Artists and Illustrators UK
This page highlights artists and illustrators creating contemporary botanical art and illustration of distinction who are based on or born in the UK - England, Scotland, Wales and Northern Ireland. This page which has way more artists than any other continent or country in terms of people who qualify for the listing.

8. Plant Names and Botanical Latin
When recording a plant name wrong can affect the colour of medal you receive at an RHS Botanical Art Show it's worth making an effort to understand how plant names are constructed and how to write them. (There's a few artists who wish growers made the same effort!). Plus it's a topic which does not get a lot of coverage online!

9. How to draw and paint leaves and trees
I've been saying for a long time, botanical art is not just about painting flowers! The second thing I've remarked on more than a few times is there is a major market for the author who writes the definitive book on how to paint plants and trees. I get asked by publishers for names of artists I'd recommend for specific topics. If you're interested contact me.

This page is the "top tips" page dedicated to tips and techniques for how to draw and paint botanically correct trees and leaves. Drawing and watercolour painting instruction includes step by step demonstrations, videos and books. I'm currently working my way through an analysis of every instruction book in terms of how good it is in providing instruction for leaves and/or trees.

10. Contemporary Botanical Artists and Illustrators
This is the gateway to all the pages about the contemporary botanical artists and illustrators listed on this website who draw, paint and print plants and flowers AND have been recognised for their excellence and mastery of their individual approach to botanical art and illustration [Note Continent / country listings are not definitive. They're being updated all the time]

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Call for Entries: Society of Botanical Artists' Annual Exhibition 2020

16/12/2019

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The Call for Entries for Plantae 2020 - the Annual Exhibition of the Society of Botanical Artists has been published. Below you will find a summary of:

what you need to know if you want to enter
the deadline for entries
how to enter
the exhibition - venue and dates

plus pics from last year's exhibition

Call for Entries

You can find the details of how to enter on the dedicated website https://soc-botanical-artists.oess1.uk/

The SBA invites you to submit your best work!

Exhibiting excellence in every botanical art form

In summary:

Eligible media (2D): paintings and drawings in watercolour, oils, gouache, graphite, colour pencil, pen & ink and hand-pulled fine art prints,
Eligible Media (3D): ceramics, metalwork and glass
Ineligible media: giclee reproductions; photography; digital art.
Eligible artists: botanical illustrator, fine art printmaker, sculptor, ceramic artist, glass artist and jeweller
Size: Maximum dimension is 120cm on the longest side.
Content Criteria: Wholly original artwork with strong "wall appeal" which must have predominantly botanical content which is accurately represented.
For Sale: all artwork must be for sale.

You can view my photos of previous Society of Botanical Art Exhibitions on this page

Submissions of work are invited from visual artists working in any two or three-dimensional artwork except for photography, digital artwork or giclee printing (or similar).

View of part of the 2019 Exhibition at the Mall Galleries

You need to consult the Entry Requirements and the timeline for entries. (Comments in italics inside brackets are my additions!)

Submission is by online entry only. You need to read the Entry requirements first.

Timeline

Deadline for Entries: 29 February 2020 Midnight
Notification of selection decision: 17 March 2020 by artist logging in to website
Delivery of artwork: 18 April 2020 from 10am to 5pm (to Carlton House Terrace in London)
Collection of unsold artwork: Thursday, 11 June 2020 from 11am to 5pm

Selection

All artwork is work is pre-selected based on a voting system
8 people on the selection panel voting independently of one another
No correspondence will be entered into in relation to feedback and the selection process decisions are final.

In essence the pre-selected artworks are those which achieved the highest number of votes from the panel members, who vote independently of one another and who cannot see the scores of the other panel members.

All pre-selected works are ALSO subject to physical selection on hand in day.
Work may be rejected at physical selection stage (after delivery) due to the quality of the work, presentation or if the work does not represent or match the digital image.

How to enter

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Francis Bauer: the first botanical illustrator at the Royal Botanic Gardens Kew

11/12/2019

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Today is the anniversary of the death of Francis (Franz) Bauer FRS FLS at the age of 82, on 11th December 1840.

Francis Bauer was born an Austrian. He was born in in Feldsberg in Lower Austria (now Valtice in the Czech Republic) on 14 March 1758. However he spent 50 years at Kew Gardens - illustrating plants.

He visited London in 1788 when he was 30 and met Sir Joseph Banks who had a passion for botany and was extremely pleased to meet Bauer - probably at his home at 32 Soho Square. He has by this time realised that finding a competent botanical painter was far more difficult than finding an engraver.

In 1789, Bank appointed Bauer as a natural history illustrator with an annual annuity for life of £300. Bauer subsequently settled permanently in Kew and became the first resident plant illustrator at the Royal Botanic Gardens at Kew.

His title was the 'Botanick Painter to His Majesty' for his work at Kew Gardens. A subsequent complication was that his paintings were owned by the crown which gave them to the British Museum! They're now in the Natural History Museum - with just one orchid painting at Kew! However the Natural History Museum has an excellent website where you can see many of them.

Thumbnails of works by Francis Bauer in the Natural History Museum

He is very well known for

his use of the microscope to study and make meticulous and very impressive studies of dissections and pollen grains. He observed nuclei in plant cells in 1802 and began to study pollen diversity
painting a number of illustrations of plants of the genus Strelitzia from South Africa between 1818 - 1820
his studies of orchids while working with John Lindley. He starts to publish Illustrations of Orchidaceous Plants in 1830.
his painted record of "Drawings of Plants Cultivated in the Royal Garden at Kew" (1790-1820) - which is now kept in four different institutions but with very little at Kew!

If you want to see very good reproductions of his paintings, I highly recommend The Bauers Joseph, Franz & Ferdinand: An Illustrated Biography by Hans Walter Lack (see end) which has excellent and large reproductions of his work in what is a very large, comprehensive and heavy book! I got my copy from the Bodleian bookshop when I went to see the exhibit of Ferdinand Bauer's colour scheme.

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NEW: The Shirley Sherwood Collection has a website!

27/11/2019

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The NEW Shirley Sherwood Collection website - Home Page

Last night Shirley Sherwood announced that the Shirley Sherwood Collection of Botanical Art now has a website. The URL is http://shirleysherwood.com - which I'm sure all fans of botanical art will want to bookmark

I've known about it for some time but also knew that the natural time for a public announcement would be at last night's Private View for the "Modern Masterpieces of Botanical Art" exhibition at The Shirley Sherwood Gallery of Botanical Art at Kew Gardens. So today is the right time to share with everybody else!

Below I'll describe what you can find on the website and how to access the different sections and pages within the website.

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Modern Masterpieces of Botanical Art #5: South African Artists

17/11/2019

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Find out about the South African artists whose artwork has been selected for display in the new exhibition Modern Masterpieces of Botanical Art at Kew Gardens - which celebrates 30 years of collecting 1,000+ artworks for the Shirley Sherwood Collection of Contemporary Botanical Art.

This is the fifth in my series of posts about the artists in the exhibition.

Modern Masterpieces of Botanical Art #1: British Artists
Modern Masterpieces of Botanical Art #2: North and Latin American Artists (USA, Canada Brazil and Mexico)
Modern Masterpieces of Botanical Art #3: European Artists
Modern Masterpieces of Botanical Art #4: Artists from Asia
today's post is about artists from South Africa
the final post is about artists from Australia and New Zealand

This retrospective exhibition of Modern Masterpieces of Botanical Art is at the Shirley Sherwood Gallery at Kew Gardens. It opened yesterday and continues until 15th March 2020.

Margaret de Villiers with her RHS Gold Medal winning Cape Ericas in 2016

Modern Masterpieces of Botanical Art
#5: South African Artists

Below you can find:

the names of artists whose work is displayed - with a link to their website embedded in their name (or a link to a dedicated page on my website for some of the deceased artists)
a short profile of each artist - focusing on their achievements. Those who have achieved more get longer profiles!
the names of the plants in their artwork which has been selected for the exhibition. Where plants have been featured in previous books by Dr Sherwood this is noted next to the name.

Also noted is the number of artworks each artist has in the collection.

Fay Anderson
(3 works in the SS Collection)
b. in 1931 in Lahore in what was then northern India and is now Pakistan. Educated in India and England. She emigrated to South Africa in 1952 and now Lives in Cape Town. Studied at the Michaelis School of Fine Art in Cape Town achieving a Diploma in Fine Arts in 1955. She has always worked as a freelance botanical artist. In 2013, she was awarded the Kirstenbosch Biennale Lifetime Achievement Award in recognition of her very considerable contribution to South African botany and raising awareness of South African flora in the last 50 years. Fay’s work is represented in a number of important collections including the Hunt Institute and Missouri Botanical Gardens, St Louis in the (USA), The Royal Botanical Gardens, Kew, London (UK); South African National Biodiversity Institute in Pretoria and Cape Town as well as the Shirley Sherwood Collection at Kew Gardens. Has contributed illustrations to many different publications and two of her illustrations also appear in Blunt and Sterne’s The Art of Botanical Illustration. Contributed work to two exhibits by the Botanical Research Institute South Africa which were awarded two RHS Gold Medals in 1980 and 1984.

Nivenia stokoei (A Passion for Plants, page 30)

Sibonelo Chiliza
Born in 1979 in Mtwalume (near Port Shepstone). In 2000 he enrolled at the Durban University of Technology to study Textile Design and Technology. In 2004 he spent a three-month internship at the Durban Botanical Gardens, followed by a six-month internship at the National Herbarium. Subsequently employed to manage the scanning and databasing of the South African National Biodiversity Institute (SANBI) Pretoria art collection. He has worked on images for three books, taken part in several group exhibitions and won awards in the three SANBI Kirstenbosch Biennials that he has participated in. He also now has work in the Shirley Sherwood Collection. (1 work in the collection)

Paint brush lily 2012 Scadoxus puniceus

Gillian Condy GM (with SANBI 1986, 1990, 1993, 1997, 1999, )
(5 works in the SS collection)
b.1952 in Nairobi. Grew up in England. Diploma in graphics and scientific illustration at Middlesex Polytechnic plus MA by project ('British Poisonous Plants') at Royal College of Art. Recently retired as the resident botanical artist for the South African National Botanical/Biodiversity Institute (1983-2017). Has participated in over 180 group exhibitions worldwide and contributed to numerous publications including Curtus's Botanical Magazine. Awarded the Jill Smythies Award from the Linnean Society (1990) plus seven RHS Gold Medals and two Gold Medals at the Kirstenbosch Biennale. Exhibited at the 7th International at the Hunt. One of the founding members of the Botanical Artists Association of Southern Africa. (see also A new aloe species named after Gillian Condy. Invited to contribute to the Highgrove and Transylvanian Florilegia under the auspices of the Prince's Trust and features in the Sydney Florilegium. Her work is also in numerous private collections. This is an article about her.

Turk's Cap Aloe 2007/16 Aloe peglerae - see below

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RHS London Botanical Art Show 2019 - Awards and Medal Winners

24/7/2019

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This post is about who won which award and which colour of medal at the RHS London Botanical Art Show 2019.

Below you can read about

which artists won Awards for outstanding botanical artwork
the names of artists and exhibits which won different colour medals - and some images of the Gold Medal winners

There are:

10 Gold Medals ( UK x 5; Japan x 4; Russia x 1;)
8 Silver Gilt Medals
10 Silver Medals
2 Bronze Medals

Links in the names of artists are generally to their websites where you can see more about their botanical artwork.

If you'd like to read more bout the individual artists, please refer to Exhibiting artists at the RHS Botanical Art Show 2019

Awards for outstanding botanical artwork

There are three Awards this year - which were awarded as follows:

Best Botanical Painting 2019: Mariko Ikeda GM (2017-2019): P.Tectorius ‘En Khelen’ - Mariko is developing an excellent track record. She won Best Exhibit in her first exhibit and Best Painting this time.
Best Botanical Art Exhibit 2019: Naomi Gumma GM (2019): The Lifecycle of the Shimonita Welsh Onion Naomi's art extends well beyond her botanical painting - see the video below (in the Gold Medal section) of her dance associated with her exhibit.
Judges’ Special Award 2019: Betsy Rogers-Knox: Exploring the Seasons at Beckley Bog - This was awarded because of the significant educational value about plants growing in a specific environment of Betsy's images.

Best Botanical Painting 2019: Mariko Ikeda GM (2017-2019)

Best Botanical Art Exhibit 2019: Naomi Gumma GM (2019): The Lifecycle of the Shimonita Welsh Onion

Judges’ Special Award 2019: Betsy Rogers-Knox

RHS Gold Medals 2019

There are ten Gold Medals. It's important to also note that

Four previous GM winners repeated their GM from their last exhibition and
Four previous GM winners did not win a GM this time.

Just because you have won a GM before there is no guarantee you can repeat this. The medal is awarded for a specific exhibit not the botanical Artist per se.

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How RHS medals for Botanical Art are assessed

23/7/2019

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For those coming to the RHS London Botanical Art Show this week - and those watching social media and reading online - you may be interested in how a botanical art exhibit at an RHS Botanical Art Show is assessed for

whether it should receive a medal and
what sort of medal it should get.

Gold Medals are only given for exhibits of outstanding quality, whatever their diversity of approach, or visual impact
Gillian Barlow, Chair of the RHS Picture Panel (in RHS Botanical Illustration - the Gold Medal Winners)

Candidates who have been approved to exhibit must submit at least six works - preferably on a theme.

You can earn extra marks if you illustrate a plant family.

ASSESSMENT: KEY POINTS are:

very high standards are essential
the emphasis should be on botanical accuracy with aesthetic appeal

The Picture Panel Judges always:

assess as botanical illustration
review botanical content and accuracy
review artistic and aesthetic effect
assess overall impression and how this has been achieved
assess the whole exhibit; marks are awarded for presentation of the exhibit as well as accuracy and quality of the artwork

The best botanical illustration successfully combines scientific accuracy with visual appeal. It must portray a plant with the precision and level of detail for it to be recognised and distinguished from another species.

Two of the botanical illustrations by Hye Woo Shin (RHS Botanical Art Show 2018) - which resulted in a Judges’ Special Award 2018 for ‘ Plants in Dokdo Island’

As a technical discipline, botanical illustration emphasizes the depiction of accurate information, documenting the anatomical and functional aspect of a plant throughout its life cycle.

Judges want to see.....

My suggestions of things you need to do to deliver on what judges are looking for are indicated in bullet points below.

This summary is based on discussions over time with both Judges and artists who have had feedback from Judges - and highlights some of the frequent problem areas which I hear about again and again. (I'll be updating and amending after this week's show!)

All quotes in green (except for the first above) are drawn from the Exhibitor Fact Sheet

Artwork should be life size and if not, a scale must be evident.

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