NEWS about Botanical Art and for Botanical Artists

Lizzie Sanders (1950 - 2020)

29/7/2020

It has been announced that the renowned botanical artist and illustrator Lizzie Sanders GM passed away last week, age 70.

Lizzie Sanders in her studio

Born in London on 4 January 1950, she had lived in Edinburgh since 1983 - near to the Botanic Garden where she also taught botanical illustration to very many students. Anne Carlaw, the Chairperson of the Scottish Society of Botanical Artists announced her death via an email to members today.

In it she described Lizzie and her work as both an artist and as a teacher.

"many of us were fortunate to have been taught by Lizzie at the Botanics and even more of you will have been familiar with her stunning work.

Lizzy was the doyenne of dry brush work. To watch her in action was a joy, to try and replicate her technique took considerable practice, time and a shed load of patience. "

It seemed appropriate to use as an example of her stunning botanical artwork, her painting of Sutherland Kale - produced for Flora Scotia and published - as a feature image - in Scottish Plant Lore

Sutherland Kale © Lizzie Sanders - painted for Flora Scotia in 2018 and featured in the introduction to the Catalogue "Scottish Plant Lore"

Favourites are always bold, structural plants which themselves make a grand statement and which lead to careful, sometimes unconventional, composition.
from her website

Lizzie Sanders Timeline

1950: Lizzie Sanders was born in London on 4 January 1950.
1967-71: Lizzie studied for a Diploma in Art, Graphic Design and Typography at the Duncan of Jordanstone College of Art in Dundee
1981-82: She left Scotland to study Strategic Advertising and Television Production at the Visual Arts School in New York
She then pursued a career in Design and spent many years working as a Designer for advertising companies in Italy (1975-80) and as an Art Director in New York (1981-1982).
1983 - she finally returned to Scotland and spent seven years as an Art Director or Design Director at two companies in Edinburgh.
1988: awarded Scottish Designer of the Year.
1990-2000 - she was a Founding Partner of a firm of Design Consultants
1990: Lizzie was a keen gardener, she took some classes in botanical illustration at the Royal Botanic Garden in Edinburgh between 1991 and 1996. She also took short courses with Annie Farrer (Kew); Pauline Dean (RHS Wisley) and Claire Dalby (Cambridge Botanic Garden). She never looked back, eventually giving up her design career to concentrate on botanical illustration.
As well as creating impressive botanical illustrations she also started teaching art students about how to improve their art and design
She lived in Edinburgh, near the Royal Botanic Gardens, where she found many of the natural specimens she painted
She died in July 2020.

Artwork by Lizzie Sanders

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James Sherwood (1933-2020)

19/5/2020

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Other people will be writing about the amazing business career of James Sherwood who passed away peacefully last night.

I want instead to pay tribute to the man who supported his wife, Shirley Sherwood in her interest in and passion for botanical art - and who, with his family's support, gave us the Shirley Sherwood Gallery of Botanical Art.

Without the support of James Sherwood, we might not have had:

the patronage and support for the very many botanical artists around the world whose artwork is now part of The Shirley Sherwood Collection
the Shirley Sherwood Gallery of Botanical Art at Kew Gardens - which opened in April 2008
numerous fabulous exhibitions of botanical art - from all over the world - in the gallery as a result
the renaissance of botanical art around the world. That renaissance was greatly accelerated and promoted through the help and support offered by the Sherwood family.

The last time I saw him - in late November at the opening of Modern Masterpieces of Botanical Art at Kew - I made a point of thanking him for everything he had done to support botanical art. He seemed somewhat surprised at the time - but I emphasised that I knew that his support had been absolutely vital to what has been achieved in the last 30 years.

James Sherwood attended all the Private Views for exhibitions of botanical art at the Shirley Sherwood Gallery of Botanical Art - this is the one for the British Artists in the Collection in 2017

I learned of his passing on the Facebook Page dedicated to the Shirley Sherwood Collection.

We're so sad to say that Shirley's husband James B. Sherwood passed away peacefully last night. He'd been in hospital for the past few months after a major operation and we hoped he'd pull through but it was all just too much of a fight, even for someone as mighty as Jim.

You might have known him as the founder of shipping empire Sea Containers. Or the man who brought the Orient Express train back to life and built an entire luxury hotel brand around it. Or perhaps the consummate entrepreneur who always had projects in the pipeline. We just knew him as Jim - always on the move with a razor-sharp mind, a passion for Bridge, a loyal group of friends and colleagues all over the world and a family who loved and admired him.

James Blair Sherwood was an American who was based in Britain. He was

the founder of Belmond Ltd. (formerly Orient-Express Hotels Ltd) and
the founder and former president and CEO of Sea Containers Ltd.

Jim understood the passion of the true collector. He liked to collect classic trains and luxury hotels while Shirley preferred collecting botanical art.

However, many of the stories I have heard Shirley tell of how she found an artist or acquired a painting arose because of her travels with Jim to different parts of the world while he collected more hotels and oversaw those already in the portfolio. He went about his business while she found about the botanical artists in the area and met them and saw their art.

I'm very sure the Orient-Express Hotels company he founded and developed was one of the main reasons why the Shirley Sherwood Collection of Botanical Art is now a truly great international art collection which includes so much art (1000+ artworks) from over 300 botanical artists from 36 countries around the world.

This is a family legacy - it was a joint effort.

James Sherwood (with stick) in discussion with Bryan Poole a fine art printmaker of botanical art - at the Private View for British Botanical Artists in the Shirley Sherwood Collection

James Sherwood was born in New Castle, Pennsylvania in 1933 and grew up in Lexington, Kentucky. He studied at Yale University and earned a degree in economics in 1955, before starting his career in marine transport, trains and hotels and founding and running two major businesses. He has also been

a Trustee of the Solomon R. Guggenheim Foundation;
a Member of the Executive Committee of the Advisory Board of the Peggy Guggenheim Collection;
Vice President of the Transport Trust;
a Member of the Advisory Committee of the Museum of Modern Art in Oxford, England;
a Member of the Board of Save Venice, Inc.;
a Member of the International Council of Yale University;
a Trustee of the World Monuments Fund in Britain; and
a Trustee of Oxford Philomusica.

In 1994, James was made the 15th honorary citizen of Venice since the founding of the Italian Republic in 1867, in recognition of his support of the arts and culture of Venice.

REFERENCE:

James Sherwood interview: the man who relaunched the Orient-Express | The Telegraph
Belmond’s founder deserves his place in its history | The Financial Times
James Sherwood talks trains, hotels, ships, and true luxury | Octavian Report
James Sherwood | The British Travel and Hospitality Hall of Fame

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RIP Hazel Morris (1945 - 2020)

31/1/2020

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Hazel Morris passed away peacefully yesterday morning. This is a post which aims to remember her - with words from her SSBA colleagues and friends and Hazel herself plus my thanks for the help she gave me.

Hazel Morris (21st June 1945 - 30th January 2020)

Yesterday I received a very sad email from Kathy Munro, Secretary of the Scottish Society of Botanical Artists .

It is with great sadness that I inform you of the death of Hazel Forsyth Morris who passed away peacefully this morning in St Columba’s Hospice.

Hazel had been unwell for sometime. She was positive about her illness and determined to carry on with as much of her life as possible, without sharing her anxieties with others.

Hazel was a founder member of the SSBA in 2014 and became a Trustee and Director. She was the first Chairperson, a role that she undertook for four years with dedication and pride. She continued contributing to the SSBA as a Director and Trustee during 2019.

Her major contribution was the establishment of the SSBA annual exhibitions through her Chairing and co-ordination of the Exhibitions Committee. Most recently in November 2019 Hazel was pleased to be asked to present Mary O’Neill with the ‘People’s Award’ from the Whitehouse Gallery Exhibition. An exhibition that was a result of Hazel's hard work and negotiations.

Hazel is known to many Botanical Artists whom she met at the Royal Botanic Gardens in Edinburgh and classes held by Fiona and Robert McNeill. She also met many international artists through her work with the BISCOT committee that she joined in 2010 and was latterly the artist's contact person. She always acknowledged that she learnt so much about exhibiting from her BISCOT colleagues and friends.

Hazel loved snowdrops and tulips so I thought I would share with you her painting of a snowdrop that has been on the SSBA web site for some time.

Hazel on Hazel - her SSBA profile

You can see Hazel's profile in relation to her botanical art on the SSBA website. You can read what she has to say about herself and her botanical art below.

The image at the top of this post is of Hazel at the Callander Park exhibition where her iris painting was 'Commended'.

I began my adult working life as a Home Economics teacher, and painted in watercolours, mainly landscapes, as a hobby and a way of relaxing.

After marrying, I accompanied my civil engineer husband as he worked mainly abroad, making homes and living in a number of countries in the Far East before returning to the UK to care for elderly parents. It was only after these family commitments were discharged that I was able to start thinking about taking up painting again.

I had been very interested in botanical painting for a number of years, influenced mainly, I think, by the work of Elizabeth Blackadder whose botanical paintings I saw regularly in Festival art exhibitions, and was fascinated by, complete with coffee stains, obvious alterations, and other marks on them; and yet, the marks somehow far from detracting, seemed to add to their artistic integrity.

However, it was only after picking up a booklet for educational courses at the RBGE that the possibility of studying this fascinating and complex form of art became a reality. I have now been painting botanical art for about nine years and attend Fiona Strickland’s class weekly.

In 2010 I was asked to join the committee of Botanical Images Scotia (BISCOT) and this has afforded me the opportunity of seeing at first hand, some of the best and most original work being created in botanical illustration today.

Snakes Head Fritillaries by Hazel Morris

Hazel was a perennial member of the weekly botanical art class in Falkirk held by Fiona Strickland and Robert McNeill.

Hazel centre back of Fiona Strickland's Botanical Art Ladies in the weekly class at Falkirk

Hazel Morris - drawing a specimen in her sketchbook in class

I received a contribution (below) from Fiona this morning - plus photos of:

Hazel in her weekly botanical art class - and I've had many comments that she is a very fondly remembered member of that class.
a gorgeous photo of Hazel by Fiona taken at our very first post SBA Annual Exhibition dinner in London - at Carluccios.

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Remembering Mally Francis FLS FEPFS FCPGFS

22/4/2019

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Mally Francis FLS FEPFS FCPGFS, the Cornish based botanical artist, illustrator and tutor and Founder Chairman of the Eden Project Florilegium Society, died on Saturday 13th April 2019 after a short illness.

This post remembers Mally and her achievements. It contains

a timeline of her life in botanical art
a video of Mally talking about botanical painting and
references to her artwork, articles about her and a book she illustrated.

I last saw Mally at the Royal Horticultural Society Botanical Art Show last summer. She was there supporting both Laura Silburn who was taught botanical painting by Mally and the Association of British Botanical Artists' stand. Her fabulous painting of 'Babington's Leek' was displayed on the stand and attracted the attention of Shirley Sherwood who bought it - hence the red spot!

Indeed I first heard about Mally Francis at the 2013 RHS Botanical Art Show when I met Laura Silburn for the first time and interviewed her for my Gold Medal Winner Interviews. She told me what an inspiration Mally was to her and what an excellent teacher she was.

Mally Francis with her painting of Babington’s Leek (Allium ampeloprasum var.babingtonii) at the RHS Botanical Art Show 2018 (12th July 2018)

Mally Francis with her painting of Babington’s Leek (Allium ampeloprasum var.babingtonii) at the RHS Botanical Art Show 2018 (12 July 2018)

Mally Francis - a Timeline in Botanical Art

1946 - born in Yorkshire

1967 - qualified as a speech and language therapist in Edinburgh

1988 - started to learn about botanical art; studied with Anne-Marie Evans in Leicestershire - and followed her principals for all her artwork and teaching

She was a particularly lovely person and always very kind. I have known her for well over 30 years. She started botanical painting with me at the Leicester college and became a member of the LSBI. She also attended many of my Summer Schools at Market Overton. She then moved to Cornwall and started teaching but we kept in contact and I have always heard particularly flattering comments about her teaching. I am sure that all who had the privilege of knowing her will miss her
Anne-Marie Evans

1996 - moved from Leicester to Cornwall

2000 - started her botanical painting classes at her Sawpit Studio

2001 - Founded the Eden Project Florilegium Society

2012 - Made a Fellow of the Linnean Society for her contribution to botanical art.

Below is the story of what happened during those years....

Mally and her husband Charles, a photographer, moved to the Heligan Estate and embarked on their joint creative endeavour. Here they

renovated the Wagon House - eventually creating accommodation for their students
rebuilt the derelict sawpit, creating the Sawpit Studio for botanical painting and as a photographic studio.

The Studio was originally built about 250 years ago as the Sawpit for the Heligan estate when logs were dragged in by a horse and then cut into planks and beams by two men using a pit saw. One above, standing on the log (the top-dog) and the other below in the pit, covered in sweat and sawdust, (the under-dog).
When we bought The Wagon House in 1997 the Sawpit had become a ruin with only two cob walls standing and the brick piers opposite to support the roof.
In 1999 we commenced the restoration and it came into full use as our studio early in 2000. The Sawpit, thirty feet long and six feet deep still remains beneath the floor as a little piece of Heligan history.
Nowadays, the Sawpit is in full time use again, either for the Botanical Painting classes or as a Photographic Studio. A collection of old saws are attached to the roof beams.

TEACHING: Mally ran her botanical painting courses in the Sawpit Studios from 2000 - until just recently. She also taught botanical art classes at the Eden Project, the Bath Society, the South West Society, Stourhead, Ventnor on the Isle of Wight, Truro Arts, Boconnoc House and Trengwainton Gardens in Cornwall.

She tutored artists ranging from complete beginners through to advanced levels - with two artists awarded Gold Medals in recent years by the RHS. She was the sole tutor of Laura Silburn who has now won three RHS gold medals and who credits Mally Francis with her involvement in botanical art.

My teaching philosophy is to encourage all students to develop their own skills to the highest level possible. There is never any competition in my classes and everyone can work at their own pace. The courses are always enjoyable and old friends meet each other year after year as they return to continue their studies. Everyone has their own aspirations and it gives me great pleasure to help them to achieve their own goals.
Mally Francis (in Mally Francis Paints the Lost Gardens of Heligan
February 1, 2011 by Tania Marien)

a still from the video about her botanical painting classes at the Wagon House

GARDENS AND PLANTS: Their life was intertwined with two major garden projects in Cornwall largely created by Sir Tim Smit KBE

The Lost Gardens of Heligan - they lived on the Estate
The Eden Project - a 20 minute drive away

The connections were intrinsic to communicating the structures and plants in both locations.

Tim Smit asked Mally to illustrate Heligan Wild: A Year of Nature in the Lost Gardens (1999) a book about the Lost Gardens of Heligan. She also illustrated Heligan Days - A Perpetual Diary (2005)
Charles was the official photographer of the Eden Project (1997-1984) - while it was being built

EDEN PROJECT FLORILEGIUM SOCIETY: Mally founded the Eden Project Florilegium Society (EPFS) in 2000 and became its first Chairman of in 2001 - and held that position until 2012 when she retired and was made the Honorary Founder Chairman of EPFS.

She provided tuition and inspiration to two-thirds of the artists whose work features in the Eden Project Florilegium. She also organised many exhibitions of artwork by her students and members of the EPFS.

The Florilegium was the inspiration of Mally Francis FCPGFS, FEPFS who founded the Society in 2000, and was its Chairman from 2001 to 2012. Mally stepped down in January 2012, and was made Honorary Founder Chairman of the Society, and a Fellow of The Linnean Society in recognition of her contributions to world of Botanical Illustration and Botany.
Eden Project Florilegium Society

RECOGNITION: In 2012, on her retirement from being Chairman of the Eden Project Florilegium Society she was made an Honorary Founder Member of the EPFS and a Fellow of the Linnean Society for her contribution to botanical art. She was also a member of the Chelsea Physic Garden Florilegium Society.

More recently, her painting of Babington’s Leek (Allium ampeloprasum var. babingtonii) was a feature image for "In Ruskin's Footsteps" at the Peter Scott Gallery at Lancaster University in May 2018 - the UK contribution to the Worldwide Exhibition of Botanical Art organised by the Association of British Botanical Artists. Below are links to articles discussing the development of the artwork.

It was also displayed at the RHS Botanical Art Show (see my photo at the top of this post) and was bought by Shirley Sherwood for her collection.

Below is a video Mally Francis talking about the difference between flower painting and botanical painting - and why everybody can have a go at creating botanical art.

Mally Francis died on Saturday 13th April and leaves a husband Charles, two daughters and four grandsons.

She also leaves a legacy in terms of the interest and competence in botanical art she stimulated in very many of her students - in Cornwall and around the world - and her paintings in her studio, private collections and the archives of two Florilegia Societies.

Please feel free to add your own comment about and/or memories of Mally Francis via comments below.

FUNERAL DETAILS
Her funeral will be at 14:00 on Friday 3 May, at All Saints church, St Ewe, Cornwall. (Google Map)

REFERENCES

Obituary

Mally Francis FLS, FCPGFS 1946 - 2019 | ABBA

Titles, Memberships and Roles

Fellow of the Linnean Society.
Honorary Founder Chairman of the Eden Project Florilegium Society (2001-2012)
Fellow of the Chelsea Physic Garden Florilegium Society.
Eden Project Botanical Art tutor

Mall Francis Online

Website: https://mallyfrancis.com/
Instagram https://www.instagram.com/mally.botanicalartist/
Twitter https://twitter.com/mally_francis
Eden Project Florilegium Society - About Us

Paintings for the Eden Project Florilegium Society

Paintings by Mally Francis

Articles / Blog posts

How to illustrate a six-foot-tall-plant – a master class! | Eden Project Florilegium Society
Babington’s Leek – Mally Francis ABBA Blog
Mally Francis is "Remembering Heligan" BAA Blog
Mally Francis Paints the Lost Gardens of Heligan by Tania Merian | Art Plantae

Books

Heligan Wild: A Year of Nature in the Lost Gardens (1999) - by Colin Howlett (Author), Mally Francis (Illustrator), Angus Hudson (Illustrator), Tim Smit (Introduction)
Heligan Days - A Perpetual Diary (2005) - illustrated by Mally Francis

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Jessica Tcherepnine (1938-2018)

7/1/2019

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Jessica Tcherepnine GM was generally regarded as an outstanding botanical artist. She passed away, age 80, after a long illness on New Year's Eve.

'Her work is intense as well as being decorative and scientifically accurate"
James White - Past Curator of the Hunt Institute for Botanical Documentation

Jessica Tcherepnine - at the Artists Reception for the 25th Anniversary Exhibition for the Shirley Sherwood Collection

Jessica Elizabeth Tcherepnine was English by birth but lived in the USA for 55 years.

She was born on 4th May 1938 in Sussex and was the daughter of William Barclay Harris and Elizabeth Milnes Coates. However she had lived and worked in New York for the last 50+ years. She met Peter Tcherepnine in New York and married him in 1973. They lived in their Manhattan apartment and their farm near Millbrook, NY, where she had her garden.

In terms of career, she started work at Christie's in London in the Furniture Department. She then moved to Christies in New York and worked with John Richardson. Latterly she worked mainly for its Oriental Department.

In 1982, she left Christies to start painting. In fact, she started painting flowers at her home in Sussex at a very young age. She was essentially self-taught, although her art education did include four months studying drawing in Florence under Signora Simi (1890-1987).

Her garden provided her with specimens for some of her watercolour paintings. Other paintings of exotic tropical plants were developed as a result of multiple visits to the island of Nevis in the West Indies.

Her artistic practice

Fortunately due to a couple of articles we have the artist's voice to speak as to her practice and approach to botanical art.

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RIP Margaret Stones and Jessica Tcherepnine

6/1/2019

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This is way of a notice, to those who have not already heard, that we lost two outstanding botanical artists at the turn of the year.

Margaret Stones AM MBE GM passed away on 26th December in Epworth, Australia
Jessica Tcherepnine GM died on New Year's Eve in New York.

I'm doing a brief biography/appreciation of Margaret Stones today (see below)
I'm also in the process of constructing a web page for Margaret Stones for my section about Famous and/or Notable Botanical Artists in the 20th Century - chronicling her artwork and significant contribution to botanical illustration and will be highlighting this at a later date

Tomorrow I have a post about Jessica Tcherepnine.

Margaret Stones AM OBE GM (1920-2018)

Margaret Stones is a Botanical Artist renowned for her taxonomical accuracy.
Encyclopedia of Australian Science

Margaret Stones has died, age 98, in Australia, on 26 December 2018.
She was a very distinguished Australian botanical artist who provided a significant contribution to botanical art and illustration during the 20th century.

Some highlights of career included

one of the longest serving botanical illustrators for the Royal Botanic Gardens Kew. Working on a freelance basis, she produced over 400 watercolour drawings of plants for Curtis's Botanical Magazine over a period of 25 years between 1958 and 1983
participated in some major projects - providing 254 drawings for a six-volume work (1967-78) for The Endemic Flora of Tasmania, and also illustrating the Flora of Louisiana commissioned in 1976 - which grew to over 200 exquisite watercolor drawings
received very many awards recognising her distinction in her field - including the Order of the British Empire (OBE) and the Order of Australia (AM) plus a Gold and Silver Veitch Memorial Medals and Gold Medals from the Royal Horticultural Society. She also held honorary degrees from both the University of Melbourne and Louisiana State University
taught and inspired very many botanical artists and talent spotted others - including Pandora Sellars.

Pandora enjoyed a great relationship with her and shared with me how incredible she was. An inspiration to botanical artists everywhere.
Margaret Best

Margaret Stones - pictured on 13 March 2003 at the "Imperial Honours" Exhibition at Melbourne University, just after her return to Australia | Courtesy of The Australian Women's Register

Early life in Australia

She was born at Colac, Australia, southwest of Melbourne, on August 28, 1920. Her father was a farmer and her early years were blighted by the difficulties associated with the aftermath of the Great War and the Depression.

Her artistic talents were evident early on and her family supported her in her endeavours to train in art.

She attended Swinburne Girls Junior Technical School (the first Technical School for Girls in Victoria) where she obtained a three-year scholarship to study industrial art at Swinburne Technical College, Victoria (1936-1938). Unfortunately her parents were unable to keep her on for the fourth year which would have given her a Diploma. However she did attend night classes at the National Gallery of Victoria Art School for 18 months during 1940-41, while earning a living doing commercial art jobs during the day.

War work then interrupted her work as a commercial artist and she trained and worked as a nurse during the Second World War.

Her real involvement in botanical illustration began after she contracted pulmonary tuberculosis shortly after she completed her final nursing exams. She was hospitalised and confined to bed for 18 months - at Epworth to begin with and then later at Glenelg Hospital at Box Hill.

What might seem like a turn for the worse, in fact influenced her career for the rest of her life.

After complaining of going mad with the sheer boredom of enforced recuperation associated with her stay in hospital, she started to spend her time drawing .wild flowers. These were brought to her by her friends - some of whom brought plants to her from the Grampians, a range of mountains in western Victoria.

After she recovered from tuberculosis, she was invited to join the University of Melbourne Botany school summer expeditions to the Bogong High Plains, Victoria.

In 1951 she left Australia for London to further her botanical knowledge.

A new career and a new life at Kew Gardens

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