NEWS about Botanical Art and for Botanical Artists

James Sherwood (1933-2020)

19/5/2020

Other people will be writing about the amazing business career of James Sherwood who passed away peacefully last night.

I want instead to pay tribute to the man who supported his wife, Shirley Sherwood in her interest in and passion for botanical art - and who, with his family's support, gave us the Shirley Sherwood Gallery of Botanical Art.

Without the support of James Sherwood, we might not have had:

the patronage and support for the very many botanical artists around the world whose artwork is now part of The Shirley Sherwood Collection
the Shirley Sherwood Gallery of Botanical Art at Kew Gardens - which opened in April 2008
numerous fabulous exhibitions of botanical art - from all over the world - in the gallery as a result
the renaissance of botanical art around the world. That renaissance was greatly accelerated and promoted through the help and support offered by the Sherwood family.

The last time I saw him - in late November at the opening of Modern Masterpieces of Botanical Art at Kew - I made a point of thanking him for everything he had done to support botanical art. He seemed somewhat surprised at the time - but I emphasised that I knew that his support had been absolutely vital to what has been achieved in the last 30 years.

James Sherwood attended all the Private Views for exhibitions of botanical art at the Shirley Sherwood Gallery of Botanical Art - this is the one for the British Artists in the Collection in 2017

I learned of his passing on the Facebook Page dedicated to the Shirley Sherwood Collection.

We're so sad to say that Shirley's husband James B. Sherwood passed away peacefully last night. He'd been in hospital for the past few months after a major operation and we hoped he'd pull through but it was all just too much of a fight, even for someone as mighty as Jim.

You might have known him as the founder of shipping empire Sea Containers. Or the man who brought the Orient Express train back to life and built an entire luxury hotel brand around it. Or perhaps the consummate entrepreneur who always had projects in the pipeline. We just knew him as Jim - always on the move with a razor-sharp mind, a passion for Bridge, a loyal group of friends and colleagues all over the world and a family who loved and admired him.

James Blair Sherwood was an American who was based in Britain. He was

the founder of Belmond Ltd. (formerly Orient-Express Hotels Ltd) and
the founder and former president and CEO of Sea Containers Ltd.

Jim understood the passion of the true collector. He liked to collect classic trains and luxury hotels while Shirley preferred collecting botanical art.

However, many of the stories I have heard Shirley tell of how she found an artist or acquired a painting arose because of her travels with Jim to different parts of the world while he collected more hotels and oversaw those already in the portfolio. He went about his business while she found about the botanical artists in the area and met them and saw their art.

I'm very sure the Orient-Express Hotels company he founded and developed was one of the main reasons why the Shirley Sherwood Collection of Botanical Art is now a truly great international art collection which includes so much art (1000+ artworks) from over 300 botanical artists from 36 countries around the world.

This is a family legacy - it was a joint effort.

James Sherwood (with stick) in discussion with Bryan Poole a fine art printmaker of botanical art - at the Private View for British Botanical Artists in the Shirley Sherwood Collection

James Sherwood was born in New Castle, Pennsylvania in 1933 and grew up in Lexington, Kentucky. He studied at Yale University and earned a degree in economics in 1955, before starting his career in marine transport, trains and hotels and founding and running two major businesses. He has also been

a Trustee of the Solomon R. Guggenheim Foundation;
a Member of the Executive Committee of the Advisory Board of the Peggy Guggenheim Collection;
Vice President of the Transport Trust;
a Member of the Advisory Committee of the Museum of Modern Art in Oxford, England;
a Member of the Board of Save Venice, Inc.;
a Member of the International Council of Yale University;
a Trustee of the World Monuments Fund in Britain; and
a Trustee of Oxford Philomusica.

In 1994, James was made the 15th honorary citizen of Venice since the founding of the Italian Republic in 1867, in recognition of his support of the arts and culture of Venice.

REFERENCE:

James Sherwood interview: the man who relaunched the Orient-Express | The Telegraph
Belmond’s founder deserves his place in its history | The Financial Times
James Sherwood talks trains, hotels, ships, and true luxury | Octavian Report
James Sherwood | The British Travel and Hospitality Hall of Fame

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Ask an expert: botanical art surgery - with Deborah Lambkin at Kew Gardens on 1st March

23/2/2020

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Next Sunday there's another Botanical Art Surgery with an expert at Kew Gardens - and the expert this time is Deborah Lambkin - winner of the prestigious Jill Smythies Award in 2019.

Expert: Deborah Lambkin
Venue: Main Gallery of the Shirley Sherwood Art Gallery, Royal Botanic Gardens Kew
Date: Sunday 1st March 2020
Time: 11am - 3pm

I’m doing the next Botanical Art Surgery in the Shirley Sherwood Gallery @kewgardens next Sunday 1st March. I’ll be painting a bit and chatting about botanical art mostly. Will show a few bits and pieces that I am working on too. 11 til 3. pic.twitter.com/uvymD9HoU2
— Deborah Lambkin (@DeborahLambkin) February 22, 2020

About Deborah Lambkin

Deborah Lambkin after being presented with the Jill Smythies Award 2019 | Permission of The Linnean Society of London

Some facts about Deborah Lambkin:

born in Ireland but now lives in London
trained at the National College of Art and Design in Dublin
official orchid artist for the RHS Orchid Committee since 2005 - and has painted over 200 different orchids
winner of the Linnean Society's Jill Smythies Award in 2019
an artist member of the RHS Picture Panel which judges exhibits at the RHS Botanical Art Shows
One of only two Irish artists (to date) to win a gold medal at the RHS exhibition, the other being Wendy F. Walsh.
She won an RHS Gold Medal for her collection of eight paintings of nerines in 1999.
Contributes paintings to Curtis's Botanical Magazine regularly.
This is an article she wrote about Dealing with plant specimens – Deborah Lambkin

Social Media Accounts

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Francis Bauer: the first botanical illustrator at the Royal Botanic Gardens Kew

11/12/2019

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Today is the anniversary of the death of Francis (Franz) Bauer FRS FLS at the age of 82, on 11th December 1840.

Francis Bauer was born an Austrian. He was born in in Feldsberg in Lower Austria (now Valtice in the Czech Republic) on 14 March 1758. However he spent 50 years at Kew Gardens - illustrating plants.

He visited London in 1788 when he was 30 and met Sir Joseph Banks who had a passion for botany and was extremely pleased to meet Bauer - probably at his home at 32 Soho Square. He has by this time realised that finding a competent botanical painter was far more difficult than finding an engraver.

In 1789, Bank appointed Bauer as a natural history illustrator with an annual annuity for life of £300. Bauer subsequently settled permanently in Kew and became the first resident plant illustrator at the Royal Botanic Gardens at Kew.

His title was the 'Botanick Painter to His Majesty' for his work at Kew Gardens. A subsequent complication was that his paintings were owned by the crown which gave them to the British Museum! They're now in the Natural History Museum - with just one orchid painting at Kew! However the Natural History Museum has an excellent website where you can see many of them.

Thumbnails of works by Francis Bauer in the Natural History Museum

He is very well known for

his use of the microscope to study and make meticulous and very impressive studies of dissections and pollen grains. He observed nuclei in plant cells in 1802 and began to study pollen diversity
painting a number of illustrations of plants of the genus Strelitzia from South Africa between 1818 - 1820
his studies of orchids while working with John Lindley. He starts to publish Illustrations of Orchidaceous Plants in 1830.
his painted record of "Drawings of Plants Cultivated in the Royal Garden at Kew" (1790-1820) - which is now kept in four different institutions but with very little at Kew!

If you want to see very good reproductions of his paintings, I highly recommend The Bauers Joseph, Franz & Ferdinand: An Illustrated Biography by Hans Walter Lack (see end) which has excellent and large reproductions of his work in what is a very large, comprehensive and heavy book! I got my copy from the Bodleian bookshop when I went to see the exhibit of Ferdinand Bauer's colour scheme.

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Australasian Exhibit in 'Modern Masterpieces of Botanical Art' at Kew

10/12/2019

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The Australasian exhibit within Modern Masterpieces of Botanical Art is the first one you come to as you go through the double doors from the reception area of the Shirley Sherwood Gallery. into Gallery 1.

It covers contemporary botanical art by both Australian and New Zealand artists past and present. You can read more about the artists in my earlier blog post Modern Masterpieces of Botanical Art #6: Australasian Artists

Below you can see photos of the paintings in the exhibition - with names of the plants, credits for the artists and explanations of and/or any stories I know about the plants and/or artists!

Australia and New Zealand have strong artists traditions with flourishing art and conservation societies. We had a botanical exhibition here... of a Florilegium of contemporary plant portraits demo Sydney's three botanical gardens, as well as two smaller 'Down Under' shows with paintings by Australian and New Zealand.
Introduction to the Australasian Gallery

Paintings by Paul Jones, Susannah Blaxill, Annie Hughes and Julie Nettleton

The first paintings you see on your left as you walk through the door contain some stunners.

The small gem-like painting of Agapanthus is by Susannah Blaxill. It's painted in watercolour and gouache on (if I recall correctly) some Rory McEwen vellum which she painted for the Rory McEwen exhibition in the gallery in 2013. I seem to recall there's a story that she had never painted on vellum before and was petrified of making a mistake. As you can clearly see she didn't - and if you take a very big magnifier and look very carefully you can see the tiny hatching strokes she used. It's an absolutely beautiful painting - a real gem!
Above it is a small painting of Violas, painted in acrylic by Paul Jones. It's been in quite a few exhibitions including "A new Flowering" exhibition at the Ashmolean in 2005
The large painting of an enlarged white Camellia japonica 'Elegans champagne' on white paper (800mm x 760mm) is by Annie Hughes GM (RHS: 2011, 2012, 2013, 2017). Annie won her first RHS Gold Medal for a suite of eight paintings of Camellias in 2011 and the painting was acquired from the exhibition at the Royal Botanical Garden in Sydney in March 2012.
The painting on the right is of Styphelia triflora by Julie Nettleton who won an RHS Gold Medal and 'Best Painting in Show' for an exhibit of Grass Trees in 2016. It has an amazing full page image in the book which allows you to see properly all the paintings of parts.

Paintings by Bronwyn van de Graaff , Celia Rosser and Beverly Allen.

The next three paintings speak Australia to me.

The Xanthorrhoea johnsonii Grass Tree is by Bronwyn van de Graaff which has a great composition.
The Banksia serrata Saw Banksia (1995) is by Celia Rosser OAM PhD (Hon.) who one is of the world's finest living botanical artists. She dedicated herself to producing watercolour paintings of every Banksia species every known Banksiaover 25 years. These were published as The Banksias, a three-volume series of monographs (1981, 1988 and 2000). This banksia requires you to take a magnifier with you if you want to see the level of detail she has achieved. It gets a full page in the book - but you need to get up close and personal with this painting! (You can see why in this blog post)
The Strelitzia nicolai by Beverly Allen GM (RHS 2007, NYBG 2010) is amazing and is the feature image of the exhibition. It's also used on the cover of the book produced in association with the exhibition.

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TALK: History of Botanical Art (8th December at Kew)

4/12/2019

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Next Sunday, Christopher Mills, former head of Kew’s Libraries, Art and Archives (2006-2015) and the curator of The Botanical Treasury (2016), will be giving at talk at Kew about the birth of botanical art and its development through the years.

Image: crop of Regine Hagedorn's painting of Roses (2001)

Details of the Talk

Title: History of Botanical Art
Venue: The Shirley Sherwood Gallery of Botanical Art, Kew Gardens
Date: Sunday 8th December 2019
Time: 1pm
Admission: Free - with admission to Kew Gardens
More information: https://www.kew.org/kew-gardens/whats-on/history-botanical-art-talk

Notes:
The Shirley Sherwood Gallery closes at 3pm so if you also want to have a good look at the current exhibition - Modern Masterpieces of Botanical Art - I suggest you get there in the morning. There's a lot to see!

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Pre-reading!

If you'd also like to do some prep. / pre-reading around the history of botanical art before the talk to get some context, I suggest you take a look at the 'The History of Botanical Art and Illustration' section on my website which shares information about:

What is botanical art and illustration
Books about the history of botanical art
Online galleries of collections of historical botanical and herbal art
Past Masters - organised by countries and timeline plus individual pages for leading botanical artists of the past
Famous Asian Botanical Artists (600-1900)
20th Century Botanical Artists
Landmark Publications - Herbals
Landmark publications - Florilegium
Botanical Photographers

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NEW: The Shirley Sherwood Collection has a website!

27/11/2019

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The NEW Shirley Sherwood Collection website - Home Page

Last night Shirley Sherwood announced that the Shirley Sherwood Collection of Botanical Art now has a website. The URL is http://shirleysherwood.com - which I'm sure all fans of botanical art will want to bookmark

I've known about it for some time but also knew that the natural time for a public announcement would be at last night's Private View for the "Modern Masterpieces of Botanical Art" exhibition at The Shirley Sherwood Gallery of Botanical Art at Kew Gardens. So today is the right time to share with everybody else!

Below I'll describe what you can find on the website and how to access the different sections and pages within the website.

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Review: 'Modern Masterpieces of Botanical Art' at Kew Gardens

24/11/2019

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The new exhibition Modern Masterpieces of Botanical Art at the Shirley Sherwood Gallery of Botanical Art at Kew Gardens is very definitely a LANDMARK exhibition of contemporary botanical art - and one woman's dedication and commitment. It's significant in size and scope and is very impressive to the point of being quite overwhelming.

I'm very happy to highly recommend it to all those interested in botanical art and/or watercolour painting and/or plants and nature in general.

The current exterior of the Shirley Sherwood Gallery of Botanical Art

I think it's the first time in the 11 year history of the gallery that the entire gallery has been given over to paintings from The Shirley Sherwood Collection. Normally exhibitions on a theme have been a mix of artwork (and/or other items) from the Kew Collection and the Shirley Sherwood Collection.

However, this exhibition is rather different. It celebrates

30 years of collecting contemporary botanical art - via purchase from galleries, auction houses and direct from artists, commissions and gifts from some artists
more than 1,000 artworks collected - in what is now by far the largest private collection of botanical art in the world; and
a new book about the collection! (review to follow tomorrow)

As such this exhibition has a much more personal feel. It's also organised by geographical area - in terms of where the artists live rather than where the plant comes from - with notes from Dr Sherwood about how she met artists in the different countries - which provides insight into how the collection developed over time.

(Note: It struck me that it would be interesting to see another exhibition - with artwork organised by plant family. I don't think we've had one since The Art of Plant Evolution).

I've never ever seen so many artworks in the galleries - and one senses from the number of artworks in the exhibition that it's been very difficult to prune the list of artworks that Dr Sherwood wanted to include in the exhibition!

The net effect is that the exhibition is quite overwhelming - meaning it takes quite a long time to get round and do it justice!

Gallery 1: Australasia - Paintings by Paul Jones, Susannah Blaxill, Annie Hughes and Julie Nettleton

This is only an overview. As I was walking around I very quickly decided that it would be absolutely impossible to do it justice in one blog post/review. Over lunch at the Pavilion Restaurant I tried to work out what to do. I've decided to repeat what I did with the lists of the artists whose work is on display - and do each gallery and geographical area in turn.

As a minimum (i.e. there may be more!), I will review each gallery exhibition in turn - one country or continent each week. I'm not quite sure of the order yet - maybe the one I followed as I viewed the exhibition late last week. For the record:

Gallery 1 - Australasia
Gallery 2 - Europe
Gallery 3 - North America
Gallery 4 - Latin America
Gallery 5 - Britain
Gallery 6 - South Africa and Asia

I hope to be able to add into these reviews some photos of the artists who will be at the private view evening next week.

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