This is about who was awarded what - in terms of awards and medals - at the RHS Botanical Art Show 2024 - which opened to the public at the Saatchi Gallery in London on Friday 14th July 2023. The exhibition continues until 7th July 2024 and I highly recommend you pay it a visit if you have any aspirations to being a better botanical artist. This is a VERY, VERY LONG post - with lots of images and lots of useful information and tips. Below is a list of all the 22 botanical artists and illustrators whose exhibits were
At the end, I highlight
My next post (this week) will focus on key themes around
Both will hopefully be helpful.
Awards for Outstanding Botanical ArtworkThere are three awards which, in the context of the show, are all of relatively recent origin. However as the numbers of exhibitors have grown and the standard of art exhibited has improved significantly, it was felt that there was a need to recognise all those who had particularly impressed the Judges. (More about the Judges at the end!) It's notable that all three Gold Medal winners - who also won an Award - are ALL First Time Exhibitors. This is VERY impressive - but it must be acknowledged that it is actually becoming more normal. That's because very many artists, after becoming approved to exhibit, do not apply to exhibit at a specific exhibition UNTIL they have an excellent exhibit to submit. Best Botanical Art Exhibit LYNNE UPTIN The Genus Richea: A Relic of Gondwana. This is a classic example of an artist who chose to do a very unusual and highly scientific project - and then produced paintings which are very complex and yet explain everything and are also very attractive. A number of them were painted from herbaria specimens - and we see examples of these in the slideshow in the gallery. Lynne has been painting the Genus Richea since 2020. Richea is a genus of 11 species of flowering plants in the family Ericaceae. Nine of the species are endemic to Tasmania - where she lives - and the other two are endemic to the south-east of the Australian mainland. It's also associated with the split up of the supercontinent of Gondwana as Tasmania was the last region of the continental plates to split from Antartica. I think we can expect a second exhibit of Genus Richea from Lynne! In 2023/24 Lynne has focussed on developing a body of works for this exhibition which is a study of 6 of the species of the genus Richea, a plant with ancient and fascinating origins. The majority of the species are endemic to Tasmania’s World Heritage temperate rainforests. Lynne Uptin was the Director of Arts Tasmania for 20 years. She was awarded an Order of Australia Medal (OAM) in 2010 for her services to arts administration. Prior to that she worked as an illustrator and owned two art galleries. What's really interesting is that Lynne is relatively new to botanical art. However she has started exhibiting, became a Fellow of SBA and has won awards for her artwork.
Judge’s Special Award There's a second award for an entire exhibit called the Judges Special Award which was introduced in 2018. This was after Dr. Hye Woo Shin GM (2013,2014,2018,2022) came back for the third time to win another Gold Medal, after she had also previously won the Best Exhibit (2013 and 2014). It's not an award which automatically goes to a Gold Medal Winner. However it is an award which is often more related to new ideas or subjects for botanical art and/or the scale of the endeavour - and exhibits which the Judges really like! SUNANDA VERMA WIDEL Ornamental Bananas from Southeast Asia. Ornamental bananas are very much associated with South East Asia and these particular bananas grow in Singapore Botanical Gardens which is a UNESCO Heritage Site. Her exhibit demonstrates the morphological diversity found in the Musaceae genus in Singapore. This was a project which clearly exemplified the scale of her endeavour to record this genus. Her aim was to demonstrate their upright habit and the variety of the flower forms, the fruit and the amazing array of colours of different species. Her artwork also includes a neat row of dissections to illustrate parts of the plant. Overall she has more than succeeded, as her exhibit has great impact within the Gallery. Her fieldwork, over several years, involved making accurate measurements, detailed drawings and colour swatches throughout the year - all while sat in the tropical heat of Singapore - and there are photographs of her doing this in the slideshow opposite her exhibit in the gallery. Sunanda, who lives in Singapore, only took up botanical art after she retired from her teaching career in international schools around the world. She has a background in art and a degree in Printmaking. On retirement from teaching, she began to study botanical art with the Society of Botanical Art's 2-year Distance Learning Diploma Course (DLDC). In 2018, she graduated with distinction. Sunanda is a Fellow of the SBA and a member of the ASBA and a founder member of the Botanical Art Society of Singapore (BASS). She has exhibited internationally and her artwork is held in the archive collections at both the RBG Edinburgh and the SBG. She will also be exhibiting in the 17th International Exhibition of Botanical Art & Illustration at the Hunt Institute in Pittsburgh this autumn. I'm sure we'll be seeing a lot more of Sunada's artwork in future! Best Botanical Artwork
DALEEN ROODT Eulophia horsfallii & Dissotis princeps with carpenter bees (Xylocopa flavorufa).
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This year the Society of Botanical Artists have opted to have an ONLINE EXHIBITION in place of an annual exhibition in a gallery. This post is about how you can see it - by thumbnail, artwork or artist! ABOUT PLANTAE 2024Plantae 2024 is now available to view online - until 30th June 2024. To view the artworks you need to click the link in the TOP RIGHT HAND CORNER of the website. I found it takes rather a long time to load - but that's doubtless due to the very many images of artwork which you can see online! You have the option to:
You can also view the artworks created by the students and graduates of our Distance Learning Diploma Course - on a completely seperate page on this link DLDC Plantae Gallery 2024 If you are interested in purchasing any of the artwork on display, you need to contact the artist direct via the "Enquire about this artwork" button. Note that there are variations in what's on offer:
Participating ArtistsThe names of the participating artists are listed below - in alphabetic order of their (last) surname. I've taken the liberty of changing the order of some of the names (currently out of sync with the alphabetical order) so they can be found more easily You will see that:
PLUS I've spotted a number of names of artists who are participating in this year's RHS Show which opens next week (see my last post Artists exhibiting at the RHS Botanical Art Show 2024) A
This post is about:
Facts about the RHS Botanical Art Show 2024
This is how to see the exhibition.
Some of you may be aware I've been interviewing Gold Medal Winners for years and years.
RHS Botanical Art Show 2024: List of Exhibiting Botanical Artists & Illustrators
Charlotte Brooks and the RHS have gone to a lot of trouble this year to improve the scope and quality of the information about the RHS Botanical Art and Photography Show and the exhibitors on the RHS Website.
Every artist has their work featured with a profile and links to their websites and social media. The exhibition will showcase exquisite botanical art and photography, featuring a rich variety of subjects from medicinal desert flowers to ornamental bananas, and from images of forest slime moulds to urban street plants. It will showcase the new work of leading botanical artists and photographers representing the UK, Italy, Portugal, Romania, USA, South Africa, Taiwan, Republic of Korea, Singapore, and Japan. Saatchi Gallery
As usual, the two countries dominating the show are the UK and Japan - with four artists each.
Unusually, the majority of the artists are first time exhibitors - and only two artists (Linda Pitkin and Toni Dade) are previous RHS Gold Medal Winners. It's been apparent in recent years, how much the calibre of entrant has improved and it's now not at all unusual for first time exhibitors to achieve a Gold Medal the first time they exhibit. As a number of the artists have demonstrated their ability to excel in other countries and other exhibitions, I'm expecting the same will happen this year. (I am already making my list of those who look to me like possible GMs!) âSo it will be interesting to see what the medal table looks like after the exhibits have all been assessed and the medals and prizes awarded. I'm looking forward to meeting as many as possible of the artists listed below as possible. I'll be there on the 13th for the Press View and Private View in the evening....
Below, I'm listing the names of the various botanical artists and illustrators, ordered by country - starting with the UK and then going alphabetically for the remaining countries.
Each of the names - on this page - provides
UK (4 artists)
England
At long last, the good news is that BISCOT is coming back to Scotland! It's been a very long time since I wrote on this website about BISCOT. My last post BISCOT 2019 & RBGE Florilegium at Royal Botanic Garden Edinburgh was in pre-pandemic in June 2019. I've been waiting ever since to see if it was going to be resurrected. Which is why it gives me great pleasure to share the news that BISCOT is to resume holding exhibitions. This post tells you about:
About Upcoming BISCOT ExhibitionsThere is to be:
About Botanical Images Scotia (BISCOT)
This is about the newly published Call for Entries for the Margaret Flockton Award in 2024.
Named after Margaret Flockton who was the Botanic Gardens of Sydneyâs first botanical illustrator, the purpose of the award is to highlight the very best of international scientific botanical illustration. There are with five prizes:
READ MORE about the award and see who has won it in the past on my dedicated to The Margaret Flockton Award for Excellence in Scientific Botanical Illustration on this website. Summary: What you need to know
Last year 37 artists from 18 countries were selected for the 2023 exhibition. Check out the quality of the illustrations selected for the exhibition can be seen in the Margaret Flockton Award 2023 album on Flickr
For full details about the Award and Exhibition, plus updates to entry requirements, please visit Margaret Flockton Award 2024 at the Botanic Gardens of Sydney website. Below is an abbreviated summary of what you need to know and do. âWhat you need to submit All illustrations and paperwork must be submitted digitally via Dropbox.
You also need to complete the Entry Form - which stipulates additional information you MUST also provide. There are no entry fees. Digital Image requirements The talks organised by Julia Trickey are now very well know within the botanical art world - and are also accessible to every botanical artist around the world. This is about the talks which will take place in the first half of 2024 - plus details of a very generous offer from Julia. The new schedule of one hour Julia Trickey Talk for the first half of 2024 has been published On the Talks Page on her website you can find out about:
The Talks include:
If you'd like to enjoy a sample, you can watch a FREE ZOOM video of BOTANICAL ART TALKS - Best Bits 2023- Shared screen with speaker view As somebody who has done a couple of talks for Julia, I can confirm they are always extremely well organised with those talking given a prep and practice beforehand so all goes smoothly on the day of the talk. Plus there's lots of opportunities to ask questions of the speaker if you watch LIVE! NOTE: The next subscriber email of one of these blog posts may well look different as I have to move to a platform on Mailerlite before 1 February 2024 - and have to set up the way it looks again from scratch.
This post covers:
Botanical Art Worldwide - Basic Principles The second Botanical Art Worldwide Project will focus on and celebrate biodiversity in the crops that have been closely associated with the human species over thousands of years. The theme is designed to draw attention to the vast variety of food and useful plants available, in contrast with the relatively few varieties currently used in mass cultivation. Plants eligible for inclusion are those cultivated for food, textiles, building, energy, and medicine BAW Central Guidelines The theme of the Exhibition in 2025 is "Crop Diversity". Eligible subject matter covers:
Every country needs to comply with the central guidelines which will be produced by the Steering Committee for Botanical Art Worldwide. These central guidelines has not yet been fully finalised - and hence not yet formalised and published . However these are coming soon and will be prominent on the Botanical Art Worldwide website when available. BAW International Exhibition The International Exhibition is going to be digital/virtual and will be available online to everybody around the world and remain on view during May 2025. (To be honest, I've always thought that the point of going digital is you can remain online - as indeed all the historical art does in the various collections / major projects relating to past botanical artwork and illustrations. Maybe it's an issue of expense? There again YouTube is forever if you so choose.) Overall Goals Artists around the world are working on this project to: Components of the BAW Project 2025 BASIC PRINCIPLES of how it will work in every country - as agreed by the Steering Committee.
Participating Countries If your botanical art organisation / botanical garden / museum wants to participate - and your country is not already participating (see list below) - you should
The following are all the participating countries - to date. I expect more will join.
You can see everything that happened around the world on one page on my website - see ARCHIVE: World Wide Exhibition of Botanical Art 2018. It includes a number of images and videos. I will be setting up a similar page for Botanical Art Worldwide 2025 on this website very soon. Country Guidelines / Exhibition Each participating country has a Steering Committee who are organising the country contribution to the International Exhibition.
Within their own country, each country can choose to have as many artworks as they like in a physical exhibition in the country - depending on the space available. Each country can organise additional lectures, webinars, workshops, demonstrations, and other public programming - during the dates agreed for the opening and closing of the exhibition in that country. Botanical Art Worldwide in the UK (England, Wales and Northern Ireland)In the UK the contribution to Botanical Art Worldwide is SPLIT - as it was in 2018 - between:
Below you can find out more about
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AuthorKatherine Tyrrell writes about botanical art and artists and has followers all over the world. You can also find her at linktr.ee BAA Visitors so far....
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