NEWS about Botanical Art and for Botanical Artists

RBGE Botanical Illustration Diploma Graduation Show 2018

22/9/2018

You've got one more day to visit the botanical art exhibits at the RBGE Graduation Show at the Royal Botanic Garden in Edinburgh by the international students who have just completed their RBGE Diploma in Botanical Illustration this summer.

(This would have been earlier but for my recent computer woes/hard drive failure - I only got my photoshop software working again this morning!)

Fortunately Elaine Searle was visiting earlier this month for the Graduation ceremony and took photos and sent them to me - so below is a record of the graduates, what they chose to do for their portfolios and pics of their exhibit.

Constanza (Coco) Obach with her exhibit of "Plants of the Coastal Mountain Range (Chile)"

The Diploma show is a showcase of work from the RBGE Diplomas in Botanical Illustration, Herbology and Plantsmanship courses.

Graduate Show - RBGE Diploma in Botanical Illustration (2017/18)

Venue: Fletcher Building, Botanic Garden Edinburgh (accessed by the ramp to the right of the Cacti House.)
Dates: Saturday 22nd September 2018 - Sunday 23rd September 2018
Hours: Open daily from 10:30 - 16:00
Admission: Free

RBGE Diploma in Botanical Illustration:
Graduation Show

The Diploma in Botanical Illustration at the Royal Botanic Garden Edinburgh (RBGE) is ideal for those who want to take botanical illustration to a professional level. Designed for those with a background or some experience in art, design or illustration, this three year RBGE diploma develops skills across a complete range of watercolour, pencil and pen.

The graduating students this summer come from various countries around the world - including:

Chile
France
Japan: Tokyo
Netherlands
Switzerland: Geneva
UK: The Wirral in Cheshire; Melrose in the Scotland Borders
USA: New Mexico and Southern California

Click RBGE Diploma in Botanical Illustration for more details about the three year course using online instruction.

Wren M Allen - Native Plants of the American Desert South West and their Traditional Uses

Wren lives in Santa Fe, New Mexico and discovered botanical illustration while living in Brazil. Her plants are those found near her home.

Jenny Bache-Usher - Five Plants from SSSI Red Rock Marsh, Hoylake

The marsh local to her home is a site of special scientific interest and exhibits different habitats within its boundary. Her plants are the very rare Wirral Horsetail and the Sea Holly, Flag Iris, Salad Burnet and Sea Radish.

A course with headlines and tasks concentrates the mind wonderfully!

Julia Blower - Hosta Cultivars

Julia started to paint after many years of working as a lawyer and then in management roles. She had grown Hostas in her woodland garden for many years and regarded the portfolio assignment as a great excuse to buy and plant more hostas!

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ASBA 21st International Exhibitions - best in show and profiles of participating artists

8/9/2018

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The 21st International Exhibition of the American Society of Botanical Artists opens to the public today in a new venue - at Wave Hill.

It's great to know that if you can't make it to the exhibition, you can still see all the artwork on the ASBA website (click the "The Art" Tab on https://www.asba-art.org/exhibitions/21st-annual-international. An illustrated catalogue, which includes all of the works in the show, as well as an essay by Ken Druse, is also available in Wave Hill’s Shop.

The “Artists’ Stories Behind the Art” can all be accessed via the link in the names of the artists below. This takes you to the relevant page on the ASBA website.

Thumbnail Images from the 21st International Exhibition

This collaboration celebrates art that inspires gardeners and the vibrant, burgeoning horticulture at Wave Hill that inspires artists.

Venue: Glyndor Gallery, Wave Hill, 675 West 252nd Street, Bronx, NY (30 minutes from midtown Manhattan)
Dates: 8 September - 2nd December 2018
Note: The elevator in Glyndor Gallery is currently out of service for major repairs and the Gallery and restroom are not accessible by wheelchair.

Founded in 1965, Wave Hill is a public garden which which overlooks the Hudson River and Palisades. It also provides an urban oasis, a cultural centre and a community resource with innovative programs in horticulture, education and the arts.

It's now also providing a home to ASBA's international exhibition in 2018 and 2020. Having changed location for the 21st Annual International, the exhibition is now much longer than the previous exhibitions - and it will be interesting to see the impact this has on overall sales.

The artworks in the exhibition are also available through The Shop at Wave Hill.

Below I'm highlighting

Best in Show Award
Profiles of participating artists + websites
Workshops and talks during the show

Best in Show Award

Best in Show: Double Poppy © Jean Emmons

The "Best in Show" was awarded to the Double Poppy painting painted by Jean Emmons. I'm guessing this is painted in watercolour on vellum as most of her botanical artwork is. Her paintings on vellum are luminous.

Jean’s technique is based on medieval manuscript illumination. She learned it from the late Kevin Nicolay, a plantsman and self-taught botanical artist. It’s a difficult and time-consuming watercolor method, but an excellent way to suggest light moving through layers of plant tissue
Jean Emmons | About the Artist

Participating Artists

Jurors selected 48 artworks from an extremely competitive field of about 190 entries (that's a success rate of 25%)

This is very much an International Exhibition with 15 exhibiting artists coming from outside the US - from Australia (2), Canada (1), France (1), Japan (2), Russia (5), Slovenia (1), and the UK (3).

Fourteen artists have never before been included in an ASBA exhibition.

The jurors were

Ken Druse Garden lecturer, author, and photographer
Karen Kluglein Botanical artist
Eileen Jeng Lynch Curator of Visual Arts, Wave Hill

The Artists whose artwork was selected for the exhibition are listed below. The link in their name is to the page on the ASBA website which provides the story behind their specimen and artwork. Their website address is also provided where available.

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REVIEW: Botanical Art with Scientific Illustration by Sarah Jane Humphrey

8/8/2018

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HIGHLY RECOMMENDED: Botanical Art with Scientific Illustration by botanical artist/illustrator and tutor Sarah Jane Humphrey is PACKED full of content relevant to the artist and illustrator who aspires to a professional career in botanical art and illustration - a lot of which is not covered in other books.

It will be getting a more in-depth review on Botanical Art and Artists in the near future - including a review of the ebook version!

Botanical Art with Scientific Illustration by Sarah Jane Humphrey (Published by Crowood Press July 2018)

Overall, I'm impressed with this book. It very much comes across as the work of a full time professional botanical artist/illustrator/tutor who earns her keep from her work. Well worth a look for those who aspire to becoming a professional rather than just painting good botanical paintings.

This book was published on the first day of the RHS Botanical Art Show last month - at which Sarah Jane Humphrey, the author, won an RHS Gold Medal. Not a bad week! ;)

Sarah Jane Humphrey with part of her Gold Medal winning display of Medicinal Plants at the RHS Botanical Art Show (July 2018)

What distinguishes this book is that Sarah Jane has reconfigured the "what do you need to know to be a botanical artist" instruction book.

This is emphatically NOT a "how to paint" step by step book.
This is a book which is more suitable for all those who have acquired some skills and competence in drawing and painting - and now need to move up a gear. It's written in a conversational style which I think a lot of people will find very accessible.

Importantly, much of what she talks about

clearly comes from her academic training (she has a degree in illustration from a good art school) plus practical and in-depth experience and learning she has accumulated in her career to date - working for a wide variety of clients.
includes in-depth comment on topics often only mentioned in passing - or not covered at all - in other books written by people who are good at painting and/or drawing.

This book offers great value for money! It is very dense in terms of content - and will definitely reward more than one read. I'd expect aspiring botanical artists to reference it many times.

Chapters which impressed me included those which talked about matters which sometimes get too little attention. It's not so much she is saying anything completely novel so much as covering all the aspects that people need to think about in more depth than often happens.

Chapter 3: Materials and Equipment - particularly the technical equipment often not emphasised elsewhere
Chapter 4: The collection and choice of specimens - the chapter oddly missing from very many botanical art instruction books
Chapter 5: Drawing and the importance of sketchbooks - includes practical tips for working in the field and drawing strategies for working with specimens in the field
Chapter 6: Observation and perspective - tackles foreshortening and perspective drawing relative to shapes in nature; plus tips relating to anatomy and dissection
Chapter 7: The use of monochrome - included some sub-sections which I rarely see elsewhere - especially that relating to the use of charcoal and large-scale drawing
Chapter 9: Principles of Composition - I've written about composition elsewhere - but enjoyed her explanations of the laws and rules of composition. Again something often not explored in detail in some other books.
Chapter 11: Techniques - includes some very practical and useful advice about making digital records and framing and storing artwork
Chapter 12: Professional Practice - 29 pages, dense with practical tips about how to promote your artwork, develop your professional reputation, find clients for your work and work to a brief, price artwork and commissions, generate products from artwork and develop an online commerce store.

I'd recommend botanical artists wanting to make a career from their art to buy this book on the strength of Chapter 12 alone - about professional practice. I've not yet seen any other book which provides comprehensive cover of contemporary professional BUSINESS practice for the botanical artist and scientific illustrator - including how much time needs to be invested in a multitude of activities and the other knowledge and skills you need to learn - other than drawing and painting - in today's digital world. Success is not all down to being the best painter you can be!

I was really surprised to find that the publisher's description understates the real value of this book - within the context of what else is on offer. I suggest they have a rethink!

Incidentally, I queried with the Crowood Press why they had published two books about botanical art and illustration at more or less the same time (see yesterday's post REVIEW: Botanical Illustration - The Complete Guide by Leigh Ann Gale) - and they said they were very different books - and they were absolutely correct! Both are packed full of information and both are good but for different reasons.

I've taken a look at the ebook version - and read it using Adobe Digital Editions. I've not yet seen the Kindle version. I can confirm it's constructed as a proper ebook with the ability to navigate via the table of contents. My personal preference is for the paperback - but then I like 'proper' books!

Publication date: 11 Jun. 2018 (Launched at the RHS Botanical Art Show!)
Publisher: The Crowood Press Ltd; Illustrated edition
Format: Paperback: 176 pages | 429 colour illustrations
Language: English
ISBN-10: 1785004190
Retail Price: £18.99
E-Book Edition: £14.99 (incl. VAT)
Price on Amazon UK: various - around c.£14 for both paperback and Kindle
Price on Amazon.com: c.$38; Kindle $19

Note: I was sent a copy to review by the publishers, having talked to Sarah Jane about the book at the RHS Botanical Art Exhibition.

About the author

Sarah Jane Humphrey is a botanical artist, a natural science illustrator, an author and a tutor. Graduated from Falmouth University with an Honours Degree in Illustration. In 2018 she was awarded a Gold Medal by the RHS for Medicinal Fruits and their symbiosis with Pollinators. She delivers workshops on Botanical Illustration in Cornwall . She is represented by the Wildlife Art Company for illustration work and has had a wide variety of clients for her illustration work.
Website: https://www.sarahjanehumphrey.com/
Facebook: https://www.facebook.com/sarahjane.illustration/
Twitter: https://twitter.com/sarahgalerie
Instagram: https://www.instagram.com/sarahgalerie/

The Best Botanical Art Instruction Books

You can read more of my book reviews and find out which are the books I recommend in The Best Botanical Art & Illustration Instruction Books which covers:

The Society of Botanical Art Books developed for the SBA Diploma Course
Books about Botanical Art & Illustration - using Graphite and Coloured Pencils
Books about Scientific Botanical Illustration - and using pen and ink
Books by Leading British Botanical Artists & Illustrators and Educators

plus

in-depth reviews of various individual books
and seperate pages devoted to books by Billy Showell, Rosie Martin and Meriel Thurstan (Eden Project) and Bobbi Angell

a very small part of my book stacks!

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Niki Simpson and Juliet Williamson win Jill Smythies Award 2018

31/5/2018

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Every year the The Jill Smythies Award is awarded to one or more botanical illustrators - for outstanding botancal illustrations in publications.

Last week, on 24th May 2018, the Annual Anniversary Meeting of the Linnean Society started with the presentation of annual medals, recognising outstanding contributions to the Natural Sciences by a variety of different people.

The Jill Smythies Award was founded in 1988 and awards a prize of £1000 to a botanical artist for outstanding illustrations.

I've now created a page about the The Jill Smythies Award which lists the people who have received the award to date and how nominations are made. The list includes some famous names in the world of contemporary botanical art have received the award plus a lot of very experienced botanical illustrators who work in Botanic Gardens across the world. It finishes with a summary biography of Jill Smythies.

I've checked and you don't have to be a fellow to nominate somebody for the Award!

Niki Simpson receive her Jill Smythies Award

Niki Simpson

Juliet Williamson

Juliet Williamson receiving her Jill Smythies Award

The Jill Smythies Award 2018

For 2018, the Council agreed to make two awards: to

Niki Simpson - who has developed a technique for digital botanical images similar to conventional botanical illustration plates.
Juliet Williamson - who illustrated The Kew Plant Glossary: An Illustrated Dictionary of Plant Identification Terms - which contains 700 of her line drawings.

Juliet seems to be quite a private person and there's very little about her online other. However my 'sources' say she's been producing botanical illustrations for Kew for years - dating back to 2002. (However I'm very happy to correct any inaccuracies).

Niki is pretty well known within the botanical illustration community for being the first person to recreate botanical illustration using digital imaging technology and software.

Niki with a display of her digital botanical illustrations for the viewing by the Fellows of the Linnean Society. Photo copyright Niki Simpson.

The aim is for scientific, reference-standard images. Each composite illustration is a comprehensive plant portrait of a single taxon or plant species, showing the diagnostic and, where space allows, the characteristic features of that plant. All parts and dissections are shown to scale by a metric scale bar, and where appropriate, the notable parts are colour referenced. In addition, each illustration contains a time bar showing the month/s of flowering, a title block and symbols indicating the plant's life form and sexual arrangement.
Visual Botany - Artist Statement

I've previously featured Niki's work on my page about Artists using Other Media which highlights her exhibition catalogue Niki Simpson: Digital Diversity | Exhibition Catalogue on Issuu. I spent a lovely afternoon in the Linnean Society when her book was published - looking at the way she manages to develop her plates. - which is a complex process.

Finally - the medallists from all the different categories have a group photo - and this is the one for 2018.

The Linnean Society Medallists 2018 (24 May 2018)

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Nataneal Nascimento wins Margaret Flockton Award 2018

24/4/2018

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Brazilian scientific illustrator Natanael Nascimento has won the Margaret Flockton Award 2018.

This Award and Exhibition at the Royal Botanic Garden, Sydney is very prestigious and attracts submissions from scientific botanical illustrators from all over the world - as demonstrated by the prizewinners below.

Margaret Flockton Award 2018
for Scientific Botanical Illustration

This is very much an award for the professional botanical illustrator since it is very much focused on the plates produced for the record and for scientific botanical publications.

What happens is that illustrators from around the world

digitally submit scientifically accurate taxonomic illustrations
i.e. highly detailed black and white drawings primarily undertaken in pen and ink, pencil or digitally rendered.
that accompany a published taxonomic description of the plant,
with the drawing clearly highlighting all of the distinctive features of the species.

The Criteria used to judge the Award are listed below:

Accurate interpretation and portrayal of the plant characters and diagnostic features highlighted in the botanical description
Technical merit
Artistic merit
Composition
Reproducibility

See A Guide to Scientific Illustration for more information on judging criteria.

First Prize $5,000 (AUS)

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Botanical Illustration - Books by Bobbi Angell

18/4/2018

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Bobbi Angell is a name which is well known to the botanical art and illustration community in the USA - but is maybe less well known further afield.

My contribution to highlighting her contribution to scientific botanical illustration has been to create a new page about two books she co-authored which I think are particularly noteworthy. They were also published 30 years apart in 1986 and 2016. Both are very valued books in my botanical art bookcase.

Botanical Illustration - Books by Bobbi Angell is a NEW page among the group of pages which form a subset of The Best Botanical Art and Illustration Instruction Books

It focuses on:

Botanical Illustration: Preparation for Publication (1986) by Noel H. Holmgren and Bobbi Angell
A Botanist's Vocabulary: 1300 Terms Explained and Illustrated (2016) by Susan K. Pell and Bobbi Angell

The first book is 30 years old but contains an absolute wealth of information and how to prepare botanical illustrations for production and the approaches and materials used for this task

The second book is a book for a wider audience - but also has particular relevance to the student of botanical art, who needs to both understand technical botanical terms - and terms used by gardeners - and appreciate the standards in technical monochrome botanical illustration achieved by those who do it for a living.

READ MORE about them on Botanical Illustration - Books by Bobbi Angell

You'll also find the above books listed on The Best Botany Books for Botanical Artist and Illustrators.

READ MORE about Bobbi Angell on her website or on my page about the top botanical artists in the USA

Bobbi Angell in Vermont

In-depth Reviews of botanical art instruction books ad authors

Certain instruction books or authors receive in-depth reviews - and get a page all to themselves. CLICK the links below to go to those pages.

SBA Books - in-depth reviews

Books by popular botanical art tutors

Technical books about Botanical Illustration

Botanical Illustration - Books by Bobbi Angell

Botany books for botanical artists

Botany for the Artist

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List of artists exhibited in "Abundance, seed pods and autumn fruit" at Kew

9/3/2018

This post puts on record all those artists who contributed to Abundance, seed pods and autumn fruit at the The Shirley Sherwood Gallery of Botanical Art in Kew Gardens before it ends on Sunday March 11th 2018.

The exhibition is open this weekend 10am to 5pm (last admission 4.45pm). It includes artwork by botanical artists and illustrators from Australia, Brazil, France, Italy, Ireland, Italy, New Zealand, Singapore, South Africa, Thailand, UK and USA.

Left: Custard Apple by Álvaro Xavier Núñez; next Pomegranates by Ann Schweizer; Right: two paintings of the Ivy Gourd and Bitter Gourd by Phansakdi Chakkaphak

Like many of the smaller exhibitions in the side corridors of the gallery Abundance, seed pods and autumn fruit does not have a catalogue and there is also no list of artists and artworks available at the Shirley Sherwood Gallery.

However I've been given a set of the labels used for the exhibition and was able to discus the plants in the exhibition with Shirley Sherwood.

This was supposed to have been written in November last year - and here we are at the last weekend! Which will teach me not to mistake uploading images of the artists with their paintings to Facebook after the Private View with the rather longer(!) task of sorting out this type of blog post.

Explanation of the exhibition - and how dispersal occurs via wind, water, animals and explosive mechanisms

How this list of artists in the exhibition works

I did think of ordering works by methods of dispersion but that would have got very repetitive in terms of artists names!

So the way it works is like this

The list is alphabetical based on (1) the country they come from and (2) the surname of the artist.
A link to their website (if they have one) is embedded in their name. Alternatively another page has been linked to if this tells you about an artist who doesn't have a website.
an asterisk * after their name indicates they are included in my current summary of artists for the country they live in - where you can read more about them. If the artist is deceased they will be listed in 20th century Botanical Artists in the history section. Those without an asterisk will be added soon!
The name is followed by basic bio data which indicates where they were born and live
This is then followed by the title of the work. The common vernacular name is very often followed by the correct latin name in italics, (for more about naming plants see Plant Names and Botanical Latin in the Botany section on this website)
Media: All paintings are watercolour on paper unless otherwise stated.
Artwork which has been published in one of Dr Sherwood's books includes the title of the book and page number (in green) after the title
Those who have more than one artwork in the exhibition have the titles of the works bullet pointed below their names.

Some of the plants have interesting stories or names and these are also highlighted.

Names of the Artists and Titles of the Artworks

Australia

Second from left is the Idiot Fruit Idiospermum australiense painting by Betty Hinton

Betty Hinton b.1935 Gin Gin, Queensland
Betty has painted a group of 'plant dinosaurs' from the tropical forest reserve at Daintree, north of Cairns

Idiot Fruit Idiospermum australiense - gouache and watercolour on paper A Passion for Plants, pg 107 AND The Art of Plant Evolution page 74 and 75

This very ancient plant has huge and heavy seeds. It was first discovered in the nineteenth century and then "lost" again as land was cleared. The fruit is classed as very poisonous by the Aborigines. If eaten by cattle they go mad. The tree is 15 metres tall and the flowers can only be retrieved by somebody climbing the tree to the top to cut off flowering branches - which is what happened in relation to this painting.

Mali Moir GM b.1960

Ovuliferous Scale Bunya Pine Nut Araucaria bidwillii 2014 Watercolour on deer vellum

Jenny Phillips GM b.1949

Corymbia ficifolia 1998 Watercolour on vellum
Sausage Tree Kigelia africana 1999

Brazil

Far Left: Seed Pod, Cardiocrinum giganteum by Robert McNeill. Far right: Two works by by Alvaro E. X. Nunes - Cybistax antisyphilitica and Zeyheria montana

Álvaro Xavier Núñez b.1945 Annapolis, Brazil
One the best known of the contemporary Brazilian botanical artists, Álvaro specialises in painting plants from all the different ecosystems within Brazil - and has seven paintings in the exhibition.

Custard Apple Annona crassiflora 2003 The Art of Plant Evolution page 72 and 73
Cybistax antisyphilitica 2008 Old and New South American Botanical Art page 134 It's a popular Brazilian tonic in the treatment of syphilis and in yaws and its leaves are used to dye cloth blue.
Kapok Tree Ceiba speciosa 2003 Old and New South American Botanical Art page 126
Dioclea violacea 2009 Old and New South American Botanical Art page 135
Fruits of Savannah A Passion for Plants page 156 This might be described as a symphony in browns, the painting displays exquisite tonal control.
"Monkey Pot" Lecythis pisonis This plant is a tropical tree in the Brazil nut family and the fruit has a tight fitting lid which burst open when ready. The common name comes from the fact Monkeys put their hand into to retrieve the nuts. Adults learn that they need to be sparing in how many they take out at one time.
Zeyheria montana 2008 Old and New South American Botanical Art page 132

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