NEWS about Botanical Art and for Botanical Artists

Francis Bauer: the first botanical illustrator at the Royal Botanic Gardens Kew

11/12/2019

Today is the anniversary of the death of Francis (Franz) Bauer FRS FLS at the age of 82, on 11th December 1840.

Francis Bauer was born an Austrian. He was born in in Feldsberg in Lower Austria (now Valtice in the Czech Republic) on 14 March 1758. However he spent 50 years at Kew Gardens - illustrating plants.

He visited London in 1788 when he was 30 and met Sir Joseph Banks who had a passion for botany and was extremely pleased to meet Bauer - probably at his home at 32 Soho Square. He has by this time realised that finding a competent botanical painter was far more difficult than finding an engraver.

In 1789, Bank appointed Bauer as a natural history illustrator with an annual annuity for life of £300. Bauer subsequently settled permanently in Kew and became the first resident plant illustrator at the Royal Botanic Gardens at Kew.

His title was the 'Botanick Painter to His Majesty' for his work at Kew Gardens. A subsequent complication was that his paintings were owned by the crown which gave them to the British Museum! They're now in the Natural History Museum - with just one orchid painting at Kew! However the Natural History Museum has an excellent website where you can see many of them.

Thumbnails of works by Francis Bauer in the Natural History Museum

He is very well known for

his use of the microscope to study and make meticulous and very impressive studies of dissections and pollen grains. He observed nuclei in plant cells in 1802 and began to study pollen diversity
painting a number of illustrations of plants of the genus Strelitzia from South Africa between 1818 - 1820
his studies of orchids while working with John Lindley. He starts to publish Illustrations of Orchidaceous Plants in 1830.
his painted record of "Drawings of Plants Cultivated in the Royal Garden at Kew" (1790-1820) - which is now kept in four different institutions but with very little at Kew!

If you want to see very good reproductions of his paintings, I highly recommend The Bauers Joseph, Franz & Ferdinand: An Illustrated Biography by Hans Walter Lack (see end) which has excellent and large reproductions of his work in what is a very large, comprehensive and heavy book! I got my copy from the Bodleian bookshop when I went to see the exhibit of Ferdinand Bauer's colour scheme.

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Australasian Exhibit in 'Modern Masterpieces of Botanical Art' at Kew

10/12/2019

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The Australasian exhibit within Modern Masterpieces of Botanical Art is the first one you come to as you go through the double doors from the reception area of the Shirley Sherwood Gallery. into Gallery 1.

It covers contemporary botanical art by both Australian and New Zealand artists past and present. You can read more about the artists in my earlier blog post Modern Masterpieces of Botanical Art #6: Australasian Artists

Below you can see photos of the paintings in the exhibition - with names of the plants, credits for the artists and explanations of and/or any stories I know about the plants and/or artists!

Australia and New Zealand have strong artists traditions with flourishing art and conservation societies. We had a botanical exhibition here... of a Florilegium of contemporary plant portraits demo Sydney's three botanical gardens, as well as two smaller 'Down Under' shows with paintings by Australian and New Zealand.
Introduction to the Australasian Gallery

Paintings by Paul Jones, Susannah Blaxill, Annie Hughes and Julie Nettleton

The first paintings you see on your left as you walk through the door contain some stunners.

The small gem-like painting of Agapanthus is by Susannah Blaxill. It's painted in watercolour and gouache on (if I recall correctly) some Rory McEwen vellum which she painted for the Rory McEwen exhibition in the gallery in 2013. I seem to recall there's a story that she had never painted on vellum before and was petrified of making a mistake. As you can clearly see she didn't - and if you take a very big magnifier and look very carefully you can see the tiny hatching strokes she used. It's an absolutely beautiful painting - a real gem!
Above it is a small painting of Violas, painted in acrylic by Paul Jones. It's been in quite a few exhibitions including "A new Flowering" exhibition at the Ashmolean in 2005
The large painting of an enlarged white Camellia japonica 'Elegans champagne' on white paper (800mm x 760mm) is by Annie Hughes GM (RHS: 2011, 2012, 2013, 2017). Annie won her first RHS Gold Medal for a suite of eight paintings of Camellias in 2011 and the painting was acquired from the exhibition at the Royal Botanical Garden in Sydney in March 2012.
The painting on the right is of Styphelia triflora by Julie Nettleton who won an RHS Gold Medal and 'Best Painting in Show' for an exhibit of Grass Trees in 2016. It has an amazing full page image in the book which allows you to see properly all the paintings of parts.

Paintings by Bronwyn van de Graaff , Celia Rosser and Beverly Allen.

The next three paintings speak Australia to me.

The Xanthorrhoea johnsonii Grass Tree is by Bronwyn van de Graaff which has a great composition.
The Banksia serrata Saw Banksia (1995) is by Celia Rosser OAM PhD (Hon.) who one is of the world's finest living botanical artists. She dedicated herself to producing watercolour paintings of every Banksia species every known Banksiaover 25 years. These were published as The Banksias, a three-volume series of monographs (1981, 1988 and 2000). This banksia requires you to take a magnifier with you if you want to see the level of detail she has achieved. It gets a full page in the book - but you need to get up close and personal with this painting! (You can see why in this blog post)
The Strelitzia nicolai by Beverly Allen GM (RHS 2007, NYBG 2010) is amazing and is the feature image of the exhibition. It's also used on the cover of the book produced in association with the exhibition.

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TALK: History of Botanical Art (8th December at Kew)

4/12/2019

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Next Sunday, Christopher Mills, former head of Kew’s Libraries, Art and Archives (2006-2015) and the curator of The Botanical Treasury (2016), will be giving at talk at Kew about the birth of botanical art and its development through the years.

Image: crop of Regine Hagedorn's painting of Roses (2001)

Details of the Talk

Title: History of Botanical Art
Venue: The Shirley Sherwood Gallery of Botanical Art, Kew Gardens
Date: Sunday 8th December 2019
Time: 1pm
Admission: Free - with admission to Kew Gardens
More information: https://www.kew.org/kew-gardens/whats-on/history-botanical-art-talk

Notes:
The Shirley Sherwood Gallery closes at 3pm so if you also want to have a good look at the current exhibition - Modern Masterpieces of Botanical Art - I suggest you get there in the morning. There's a lot to see!

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Pre-reading!

If you'd also like to do some prep. / pre-reading around the history of botanical art before the talk to get some context, I suggest you take a look at the 'The History of Botanical Art and Illustration' section on my website which shares information about:

What is botanical art and illustration
Books about the history of botanical art
Online galleries of collections of historical botanical and herbal art
Past Masters - organised by countries and timeline plus individual pages for leading botanical artists of the past
Famous Asian Botanical Artists (600-1900)
20th Century Botanical Artists
Landmark Publications - Herbals
Landmark publications - Florilegium
Botanical Photographers

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The Business of Botanical Art - The Lecture Notes

2/12/2019

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Those attending my lecture at the ASBA Conference in Pittsburgh in October may remember I promised that:

you didn't need to make notes
because as I'd make a copy of the lecture available to you.

A few of you have written to me requesting a copy of the presentation - and I apologise for keeping you waiting.

You can NOW get a copy of the presentation slides PLUS my notes of 'what to say' which amplify the points on each slide - in a digital file of the presentation in the Powerpoint "Notes" View saved as a PDF file (6MB)

The scope of the lecture - in terms of sections

What I've done

I've ironed out the small matter of a few language difficulties (who knew "tuition" means something completely different in the USA? Not me!) i.e. changed words.
I've also revised my notes to make them more accessible to a wider audience.
Plus converted the Powerpoint Presentation into a PDF file of the "Notes" View of the presentation (see a crop of an example page below)

crop of a page of the "Notes" view of one of the slides in the presentation

If If

Copy of the Business of Botanical Art Lecture

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The Winter Garden: Scented Sprigs and Feisty Flowers by Susan Christopher-Coulson

1/12/2019

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About the Winter Banner for 2019/20

"The Winter Garden: Scented Sprigs and Feisty Flowers" by Susan Christopher-Coulson (Shirley Sherwood Collection) coloured pencil

The Winter Garden: Scented Sprigs and Feisty Flowers by Susan Christopher-Coulson - in a cropped format - is the new banner on the homepage of my website and my Botanical Art and Artists Facebook Page.

This is the first contemporary botanical image I've used since I created my website four and half years ago. There are two reasons for this change:

the routine one - I change the banner to try and suit the season every three months on the 1st December, 1st March, 1st June and 1st September.
Winter has always been a bit of a challenge - except when using images from the Southern Hemisphere!

However, I was very pleased to spot this image of "The Winter Garden: Scented Sprigs and Feisty Flowers" by Susan Christopher-Coulson when reviewing the artwork hung in the Modern Masterpieces of Botanical Art exhibition at Kew. It seemed very appropriate to me to honour the exhibition in some way over these winter months. When I saw her at the private view I asked whether I could use the image for the winter banner for my website and she very kindly agreed.

About Susan Christopher Coulson

Susan Christopher Coulson at the PV for Modern Masterpieces of Botanical Art at the Shirley Sherwood Gallery - where "The Winter Garden: Scented Sprigs and Feisty Flowers" is currently hanging

Susan Christopher Coulson GM (1999) VPSBA is a very experienced botanical artist and teacher of botanical art whose chosen medium is coloured pencils.

Susan was born in Durham and trained as a fashion and textile designer, graduating with a degree in Fashion and Textiles from Kingston Polytechnic in 1977. She then lived in London for several years while working in the fashion industry as a designer / illustrator. She returned north with a young family and the subjects she drew began to change from fashion to plants.

The Botanical Artist

She'd become interested in the plant world while on country walks with her father during her childhood - which is also when drawing with coloured pencil also started as her preferred form of artistic expression. As an adult she expanded her techniques

She focused on developing drawings based on natural subjects, including botanical, and expanding her coloured pencil techniques, which have been her preferred medium since childhood. Their potential to create rich tonal depths as well as subtle transitions and translucent colours is a constant fascination as are the infinite possibilities offered by the botanical subjects, which she prefers to draw directly from live subjects.

Awards

Her work has received a variety of awards

She was awarded two Royal Horticultural Society gold medals in 1999 and 2001.
At annual exhibitions of both the Society of Botanical Artists and the Society of Floral Painters (now defunct)

Collections and other notable information

Her artwork is in the Shirley Sherwood Collection, the RHS Lindley Library Collection and The Florilegium archive at Sheffield Botanical Gardens, as well as numerous private collections in the UK and abroad.
She has also produced commissions for a number of clients (and this is how to contact Susan if you're interested in commissioning her or asking her to teach)
Her artwork has also featured in a number of books about botanical art, notably those associated with the Society of Botanical Artists.
She was one of the two Vice Presidents of the Society of Botanical Artists between 2010 and 2018.
She continues to teach botanical art - using coloured pencils around the UK (see below)

Group of coloured pencil drawings by Susan Christopher Coulson exhibited at the Annual Exhibition of the Society of Botanical Artists in 2015. (top left) Cures from the Potager; (top right) Bean Counting: In Pursuit of Diversity; (bottom left ) Medieval Medicinals, from an Apothcary's Garden; (bottom right) Winter Greens: In pursuit of Form and Colour in the Winter Garden

The Teacher

Susan is a well known and experienced teacher of botanical art using coloured pencils.
Her Teaching page on her website details those venues in the UK where Susan will be teaching workshops. You'll also find her listed as both a teacher on my Teachers Page and her courses and workshops on my Courses Page for the UK

Susan Christopher Coulson demonstrating how to use coloured pencils for botanical art at the RHS Botanical Art Show in 2016

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Future Banners

In future, I'm minded to use more CONTEMPORARY botanical artwork for the seasonal banner image. If botanical artists want to contact me with suggestions as to appropriate images - whether their own or ones by other contemporary botanical artists - I'd be very happy to receive and consider all suggestions.

I have two constraints:

the artist must be listed on my website (or eligible to list on my website)
The image needs to lend itself to a panoramic format for the banner - via cropping if required - whatever format it is created in. So verticals in a portrait format with wide empty spaces either side won't work - but a landscape or square format with horizontals (such as in Winter Flowers) does work.

Obviously all contemporary botanical artwork is subject to copyright when used in this way and the artist must agree to the use of the image for a banner.

By way of credit I always create a link on the home page to the source of the image e.g. the artist's own website. (Try clicking the small image on the home page to see what I mean)

Do leave a comment below if you're interested in providing an image and/or would like to suggest a suitable image for future banners.

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