The Jill Smythies Award is made annually to a botanical illustrator - for excellence in published botanical illustrations.
"for publishing illustration, such as drawings or painting, in aid of plant identification, with the emphasis on botanical accuracy and accurate portrayal of diagnostic characteristics. Illustrations of cultivars of garden origin are not eligible". The award comprises a silver medal and a prize of £1,000.
It is usually (but not always) awarded annually by the Council of the Linnean Society of London to anyone not at the time a member of Council. Individuals nominated for the prize are invited to submit work. Submissions are then scrutinized by a Committee appointed by Council of the Linnean Society and chaired by a Secretary of the Society. The award was established, via an endowment by Bill Smythies in honour of his wife Jill whose career as a botanical artist ended due to an accident to her right hand. REFERENCE:
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What's required
Exclusions / Ineligible
Nominations
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How to submit work
What happens if you win
What happens if you are not successful
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2020-2029
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Sue Wickison is an extremely accomplished botanical artist with field experience in many areas, namely the Solomon Islands, where she collected and recorded orchids. She has also worked on endangered species, depicting their life cycles, and has most recently illustrated Kew’s The Plants of the Qur’an: History and Culture by Dr Shahina Ghazanfar, with an accompanying exhibition running until Sunday 17 September at the Shirley Sherwood Gallery of Botanical Art. |
2010-2019
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“Deborah Lambkin developed her interest in botanical art after she wrote a thesis on Visual Communication at the National College of Art and Design, Dublin in 1990. Deborah is now an established botanical artist, having been the ‘official’ Botanical Artist to the RHS Orchid Committee since 2005, contributing more than 400 fine paintings in that role. She provided the artwork for about 50 species accounts in Curtis’s Botanical Magazine, including the recently published issue on the Australian clade of Nicotiana, widely admired for the fine attention to detail and, in particular, the stunningly accurate representation of the leaf texture, which was highlighted by the panel of judges. Deborah has exhibited at the National Botanic Gardens and several times at the Royal Horticultural Society where in 1999 she was awarded a Gold Medal for her work. She has painted a series of endangered Irish wildflowers used as posters for schools. Deborah is a member of the Watercolour Society of Ireland and the RHS Picture Advisory Panel.” |
Anita Barley in the middle of the 2016 medal winners
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Jill drew double-page spreads of typical plants of key Iberian habitats for a joint field guide written with Oleg Polunin, Flowers of South-West Europe: a field guide (1973).
Obituary: Bertram E. Smythies
The above draws on and summarises the account by Dr Stephen Jury and the Herbarium newsletter. |
She was not born an artist like Walter Hood Fitch, who could draw a plant freehand on a lithographic stone and get it right first time, without having to correct a line. Jill's pictures only emerged after much toil and sweat, erasing of lines and redrawing. To improve her technique she enrolled in the Flatford course three years running: 1967 and 1969 with Derek Erasmus, 1968 with Mary Grierson. Following an accident to his wife's right hand, which cut short her career as a botanical artist, he endowed an award through the Linnean Society, established in 1988 and now consisting of a silver medal and pounds 1,000, given annually, "for published drawings or paintings, in aid of plant identification, with the emphasis on botanical accuracy". REFERENCE:
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