I now have the list of the exhibits for the RHS Botanical Art Show 2017 - to be held at the end of this week in the RHS Lindley Hall in Vincent Square London.
You can find the list below my commentary on the exhibits being displayed this year.
You can find our more information about the artists in RHS Botanical Art 2017 - Selected Artists.
The show is open to the public 24–25th February 10am–5pm. Free Entry - no ticket required
Casting my eye over the list of exhibits I see we will be viewing the usual orchids, roses and camellias as we do most years.
However I'm always more interested in what's novel or unusual. The first one which jumped out at me was the Pandanus (Mariko Ikeda) - which I know can make for a very striking painting. I've got a feeling either Kew or Shirley Sherwood have one in their collections. Here's an example of what I mean.
Another one which was going to be really interesting is Plants of the Holy Qur'an (Sue Wickison GM) - however Sue has had to pull out at the last minute
mainly because I haven't got a clue what these might be but am interested to find out. I couldn't wait so started looking this up on Google and it seems they're a popular topic for academic papers! However one source says there are 22 identifiable plants belonging to seventeen plant families while another says there there are 54 ! I shall wait for Sue to pronounce on the topic however I think I might arrive armed with a list of what I think she might have painted (e.g. Olive, Fig, Pomegranate, Date Palm, Zinger and Allium).
I note that we also have two lots of bamboo and I can't remember a single bamboo submission in the last 10 years!
I looked up Claudine Paquin's Plants of ‘Margredi’, dry grasslands of Friuli as it sounded like a bigger project - and I was right. There's a major restoration project going on so I'm assuming the two might be connected.
Shirley Slocock's Wayside Tracks and Verges appeals to me as it's not going to be cultivated flowers so much as "found" flowers. I assume these will be wild plants - but who knows?
Plus a further display which will not be judged
In terms of different ways of categorising exhibits I make that:
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'Prelude to Spring: Botanical Art in Vermont' opens tomorrow in Brandon, Vermont.
Venue: Compass Music and Arts Foundation, Park Village, 333 Jones Drive (PVT), Brandon, VT 05733
Dates: February 17 - April 1, 2017
Reception: Friday, February 17 from 4-7
This is an exhibition of botanical artwork by three of Vermont's finest botanical artists who produce artwork in response to careful observation of plants and flowers. All three are members of the American Society of Botanical Artists (ASBA) and its New England chapter (NESBA).
The NEW Association of `British Botanical Artists (ABBA) today announced its Call for Entries for the UK contribution to the Worldwide Botanical Art Exhibition in 2o18.
In Ruskin's footsteps - "Linking people to plants through botanical art"
The exhibition is OPEN to:
Eligibility: Artists can enter one country’s exhibition, and that is the country of the artist’s primary residence. If an artist’s country of residence is not holding a worldwide exhibition, and the artist has some connection with the UK, the UK can invite the artist to submit an entry to the British exhibition.
The Call for Entries provides all the details that artists need to know at this stage.
Here's the basics of what's required
All entries will be juried by a prestigious team of professional artists, scientists and curators (to be announced at a later date). The paintings will be assessed according to:
In terms of dates there is no time to lose! If interested please note the following dates for the two stage application/submission process
I'm just really pleased to see this exhibition get off the ground. I was involved in getting it started in the Autumn and wrote a very long brief for what needed to be done - which was an awful lot!
Many congratulations are due to all those involved in making the exhibition real and finding a venue (which is really not easy in May!) I know for a fact that there must have been an awful lot of work involved to get this far.
Below you an find a list of the artists exhibiting RHS Botanical Art Show 2017 at the RHS Lindley Hall in London at the end of this month.
The list is organised by the country of origin and/or where they live. In total there are 29 artists (35 in 2016) from 10 different countries (10 in 2016).
The number per country is as follows:
I've highlighted previous Gold Medal Winners by 'GM' after their names. I've also commented on those I know and those where I was able to find some information about them
The link in the name of the artist is to their own website or a website which is representative of their work.
Details of the exhibition
The exhibition opens with a preview on Thursday 23 February 6-9pm. All tickets £5. There are then two full days on Friday 24 and Saturday 25 February (10am-5pm). Free Entry. No ticket required.
Thailand (but living in Scotland)
in addition Barbara Oozeerally GM - is organising a tribute memorial display for the plantsman John Gallagher who died last year.
For information about the other exhibitors see yesterday's post - Who's exhibiting at RHS Botanical Art (London) 2017?
RHS Botanical Art Shows - Reference
RHS Botanical Art Shows are juried and the process of applying and being selected takes some time. However this is one of two of the most prestigious botanical art shows in the world.
This website has two pages helpful to those wanting to exhibit at RHS Botanical Art Shows
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I've created a page on my website for a summary of the Worldwide Exhibition of Botanical Art in 2018. This includes:
Each of the entries for countries that have announced their intention to participate includes:
PLEASE LET ME KNOW IF THE ENTRY FOR YOUR COUNTRY NEEDS UPDATING.
A note of concern
My understanding when the exhibition was announced was this exhibition is open to botanical artists all over the world. I've checked with the outline I received and it states
Original botanical artworks juried from submissions of artists residing in each participating country
In other words if you are a botanical artist who lives in a country you can enter work for that country's exhibition.
Consequently I was extremely surprised and concerned to see an additional limiting constrain introduced. Some of the Call for Entries define the eligible artist as "being a member in good standing with (name of botanical art society)".
I have to emphasise that I think this is really sad.
This exhibition goes way beyond the normal exhibitions held on a regular basis by groups of botanical artists around the world.
Indeed one of the themes of the exhibition is the degree of collaboration required to hold the exhibition.
It's extremely sad that exhibitions in some countries will not be reaching out to those excellent botanical artists who choose - for various and excellent personal and professional reasons - not to belong to an art society or group.
I can think of many professional botanical illustrators and other well regarded and world renowned botanical artists who don't belong to a botanical art society. It would be such a pity if they were denied the opportunity to exhibit in this exhibition.
By all means charge non-members a higher fee - as happens in normal open exhibitions. Just don't exclude excellent botanical art of native plants because someone might not be a big fan of 'clubs'.
I do hope there'll be a rethink....
I'm getting a lot of enquiries from botanical artists as to what progress has been made with "the Fabriano Artistico story" and the major change in how the paper behaves.
Below you will find
Fabriano Artistico and Botanical Art - the story so far
Fabriano Artistico has been much favoured by botanical artists for very many years. For many years it has been a surface which stands up to the demands of those wanting to create very precise paintings of botanical specimens
Then something changed. You may not have read my previous posts on this topic.
Plus I did an update for the Society of Botanical Artists Winter Bulletin - an extract from which summarises what has happened since the meeting with Fabriano last summer.
Fabriano have done some trials since the meeting. To date they have been unsuccessful at identifying what needs to be different to produce the old surface. This means no prospect of a change back to the old surface in the near future.
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Katherine Tyrrell writes about botanical art and artists and has followers all over the world.
© Katherine Tyrrell 2015-17
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